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19 de dic. de 2021 · High Noon (1952) High Noon (1952) is possibly the all-time best Western film ever made - a successful box-office production by Stanley Kramer and director Fred Zinnemann (who also directed From Here to Eternity (1953) and A Man For All Seasons (1966) ). The Western genre was employed to tell an uncharacteristic social problem tale about civic ...
High Noon (1952) A SDG Original source: National Catholic Register A mounting sense of dread and inevitability hangs over Fred Zinnemann’s grim, downbeat Western classic High Noon, a black-and-white anti-spectacle about an aging lawman who receives a series of nasty shocks on the day he tries to hang up his gunbelt and begin a new life.
High Noon proved to be a huge critical and popular success when released and garnered seven Oscar nominations including Best Picture prior to the 1953 Academy Awards ceremony that year (It won statues for Gary Cooper (Best Actor), Best Film Editing, Best Music Score and Best Song ("Do Not Forsake Me, Oh My Darlin'"), which was performed in the film by Tex Ritter (It also became a hit for ...
Amerikaanse westernklassieker, met vijftiger Gary Cooper als Will Kane, een gewetensvolle marshall geflankeerd door twintiger Grace Kelly als zijn kersverse bruid. Inleven is eenvoudig, want de lengte van de aanvankelijk gortdroge film is nagenoeg gelijk aan de lengte van het drama. Het begint met hun trouwerij in de ochtend, en bereikt de climax met de aankomst per trein om twaalf uur (High ...
High Noon is one of the few American films that follow the classic Aristotelian principle of the “classic unities” of time, place and action. The running time of the story almost exactly parallels the running time of the film itself. This effect is heightened by the frequent use of clocks throughout the film that remind the characters—and ...
High Noon. Directed by Fred Zinnemann. With Gary Cooper, Thomas Mitchell, Lloyd Bridges ... Other film series with this film. Read more. June 20–30, 2003.
High Noon (United States, 1952) A movie review by James Berardinelli. By 1952, movie-goers knew exactly what to expect from a Western: a clean-cut, self-assured hero facing down a good-for-nothing villain in a climactic shoot-out, lots of action, gorgeous scenery, and not much in the way of thematic depth. This was a time when the Western was ...
