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The Oresteia, 1981: Music and Language. National Theatre 2013/2013. National Theatre. London, United Kingdom. Professor Oliver Taplin explains the significance of music and poetry in Peter Hall’s 1981 production of Aeschylus' The Oresteia, which used Tony Harrison’s translation of the text and music composed by Harrison Birtwistle.
23 de ene. de 2012 · Aquí nos gustaría mostrarte una descripción, pero el sitio web que estás mirando no lo permite.
Tony Harrison is Britain's leading film and theatre poet. He has written for the National Theatre in London, the New York Metropolitan Opera and for the BBC and Channel 4 television. He was born in Leeds, England in 1937 and was educated at Leeds Grammar School and Leeds University, where he read Classics and took a diploma in Linguistics.
这版Oresteia给我的感受就如济慈初读恰普曼译荷马史诗！ 我心目中的古希腊诗剧就该如此。 Tony Harrison版的译文虽然牺牲了翻译的准确性，却几乎把英语的音乐性发挥到极致（据说埃斯库罗斯的希腊语原文有同样强烈的音乐性）。
Pip Donaghy in Aeschylus' Oresteia (Tony Harrison Adaptation), the National Theatre (1983)
Even so, the plot of the Oresteia is so fascinating that we cannot help but pay attention and even enjoy that ancient, archaic and raw poetry, which only reaches us after having a great part of its lyricism and its sound pruned by the translation, no matter how good it is. Peter Hall's Oresteia at Epidaurus is heroic.
The Oresteia. Dramatic Verse 1973-1985, Newcastle Bloodaxe, 1985. Relationship to Classical text As in The Common Chorus (Parts I and II) Harrison adheres closely to the source text. Close translation of words/phrases/excerpts A translation of Aeschylus’ Oresteia. Classical/post-Classical intertexts Robert Browning’s Agamemnon (1877), for ...
