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Artist: Oscar Gustav Rejlander (British (born Sweden), 1813–1875) Date: ca. 1860. Medium: Albumen silver print from glass negative. Dimensions: Image: 13.9 x 19.9 cm. Frame: 14 x 17 in. Classification: Photographs. Credit Line: Courtesy of George Eastman House, International Museum of Photography and Film, Rochester.
1 de jul. de 2013 · Looking at the history of the life of Oscar Gustav Rejander I am wondering if he might have put together a montage of his earlier renaissance picture. I have been researching a montage picture with 9 pictures from the 1615, the lute player to 1820, consider the lilies, just to name a couple.
Biografía Oscar Gustav Rejlander. Rejlander es originario de Suecia. Su fecha exacta de nacimiento es incierta, pero se estima en el año 1813. Fallece a sus 62 años, el 18 de enero de 1875 en Clapham, Inglaterra. Inicialmente se formó como pintor y litógrafo en su país natal. Posteriormente estudió arte en Roma, donde subsistió ...
3 de abr. de 2024 · O.G. Rejlander (born 1813, Sweden—died January 18, 1875, London, England) was a Swedish painter and photographer who is known as the “father of art photography.”. Rejlander received his general education in Sweden, and he studied painting and sculpture in Rome. After considerable travel he settled in England and from 1853 practiced ...
1 de jul. de 2013 · Oscar Gustav Rejlander (1813-1875): The “Father of Art Photography”. Elaborately staged tableaus have become a staple of fine-art photography and something of their own medium — the artistry ...
OSCAR GUSTAV REJLANDER trabajó sobre temas relacionados con la alegoría, el mito y la historia. Su proceso de elaboración lo llevaba a cabo mediante la realización de bocetos que posteriormente retocaba en los negativos, siendo la suya una técnica que con el tiempo fue compartida por muchos artistas, ya entrado el siglo XX, evidentemente, con otra finalidad.
Writing of Rejlander’s famous Two Ways of Life, photographer and critic Thomas Sutton wrote, "There is no impropriety in exhibiting such works of art as Etty's Bathers Surprised by a Swan or the Judgment of Paris but there is impropriety in allowing the public to see photographs of nude prostitutes, in flesh-and-blood truthfulness and minuteness of detail."
