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  1. Virginia Cherrill. Actress: City Lights. Actress in US and UK films of the early 1930s. Born on a farm, Cherrill was discovered by Charles Chaplin while sitting beside him at a boxing match in Los Angeles; he introduced himself at intermission and hired her for her debut in City Lights (1931).

  2. en.wikipedia.org › wiki › City_LightsCity Lights - Wikipedia

    While waiting for her scenes for several months, Cherrill had become bored and openly complained to Chaplin. During the filming of one scene, Cherrill asked Chaplin if she could leave early so that she could go to a hair appointment. Chaplin fired Virginia Cherrill and replaced her with Georgia Hale, Chaplin's co-star in The Gold Rush.

  3. 20 de feb. de 2013 · Como es bien sabido, el rodaje de Luces de la Ciudad fue uno de los más difíciles de la carrera de Chaplin por diversos motivos: su enfermizo perfeccionismo que le hizo alargarlo hasta prácticamente dos años, la presión de estar haciendo un film mudo durante el sonoro y su difícil relación con la actriz protagonista Virginia Cherrill, que es el caso que nos ocupa hoy.

  4. Virginia Cherrill (1908 - 1996) fue una actriz de Estados Unidos conocida por: Luces de la ciudad, Chaplin desconocido (Miniserie de TV), Calor blanco, La huerfanita, Perdone, señorita, The Nuisance, El cofre misterioso, Deliciosa, Charlie Chaplin, le génie de la liberté (TV) y Cary Grant: A Class Apart (TV)

  5. 9 de feb. de 2021 · Virginia Cherrill was Cary Grant's first wife and they married on 9th February 1934. Born on a farm, Cherrill was discovered by Charles Chaplin while sitting beside him at a boxing match in Los Angeles; he introduced himself at intermission and hired her for her debut in City Lights (1931).

  6. 20 de nov. de 1996 · Virginia Cherrill, actress: born Carthage, Illinois 12 April 1908; married 1927 Irving Adler (marriage dissolved 1928), 1934 Cary Grant (marriage dissolved 1935), 1937 George, ninth Earl of Jersey ...

  7. Virginia Cherrill, selected by Charlie Chaplin to appear in his latest movie, City Lights, soon discovered that Chaplin was a perfectionist who insisted on his cast appearing on the set, even when they were not performing, and that multiple takes were standard work-practice – the opening scene, pictured, took 342 takes.