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He isn't really, but when a mobster kingpin with his eye on a priceless painting mistakes Albany for a famous West Coast gangster, Jack's earnest attempts to set the record straight only escalate his involvement in a daring museum robbery. Welcome to the world of Jack Albany -- New Yorker, struggling actor -- and art thief? He isn't really, but ...
9 de may. de 2023 · 1968 • Rated G • 1h 39m • June 26, 1968 (USA)Stars: Dick Van Dyke • Edward G. Robinson • Dorothy ProvineTAGLINE: I'ts L-L-Loaded With Laughs...as a small-tim...
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Written by r96sk on July 30, 2020. When practicing for a role, actor Jack is mistaken for the killer Ace. He doesn't realize this until it's too late and is carried off to gangster boss Leo Smooth, who wants Ace to do a job for him. Fearing for his life, Jack plays his role, but always searching for a way out of the well-guarded house.
Never a Dull Moment: Directed by George Marshall. With Irene Dunne, Fred MacMurray, William Demarest, Andy Devine. Sophisticated, successful New York City songwriter Kay Kingsley falls in love with Chris Hayward, a widower rancher she meets at the Madison Square Garden Rodeo, and they get married and leave for his ranch in the west.
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Never a Dull Moment ( Cómo robar millones sin esfuerzo en Hispanoamérica y Ni un momento de respiro en España) es una película criminal de comedia de atracos estadounidense de 1968 de Walt Disney Productions protagonizada por Dick Van Dyke y Edward G. Robinson y dirigida por Jerry Paris. El guión de A. J. Carothers se basó en The ...
Directed by Jerry Paris. 100 min. Stars Edward G. Robinson (Smooth), Dick Van Dyke (Jack Albany), Dorothy Provine (Sally), Jack Elam (Ace Williams). The film was based on the book by John Godey. Released on video in 1985. Never a Dull Moment - Mistaken for a hired killer, television actor Jack Albany impersonates the man to save his own life.
21 de nov. de 2019 · La idea de Never a Dull Moment no era mala y le sobraba elenco para ofrecer una película entretenida, sin embargo el proyecto no terminó de funcionar. Para el público adulto era una parodia light que se volvía bastante predecible y para los chicos resultaba un bodrio por el exceso de diálogos de exposición que tenían las motivaciones de los protagonistas.
