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Barbara La Marr. The woman dubbed "The Girl Who Is Too Beautiful" was silent-film actress and screenwriter Barbara La Marr who once said, "I take lovers like roses . . . by the dozen." And she was hardly exaggerating: By age 19 she had been married three times, divorced and widowed and added two more marriages into her twenties.
Silent film heroine Barbara La Marr achieved success as an actress, cabaret artist, and a screenwriter. Known for her beauty and lengthy marital history, La Marr became a staple on screen and in headlines. She appeared with notable co-stars in her films, propelled by experience in vaudeville, Broadway, and screenwriting. Tragically, her troubling lifestyle in Hollywood, coupled with an array ...
Barbara La Marr not surprisingly did become a big star. In just 5 years the writer-cum-actress made over two dozen (!) films, including The Prisoner of Zenda (1922), Trifling Women (1922), The Shooting of Dan McGrew (1924), and Thy Name is Woman (1924).
From Wikipedia, the free encyclopedia Barbara La Marr (born Reatha Dale Watson; July 28, 1896 – January 30, 1926) was an American film actress and screenwriter who appeared in 27 films during her career between 1920 and 1926. La Marr was also noted by the media for her beauty, dubbed as "The Girl Who Is Too Beautiful," as well as her tumultuous personal life. During her career, La Marr ...
10 de feb. de 2017 · Like Monroe, the name with which Barbara La Marr gained her greatest fame was not her own. She was born Reatha Dale Watson on July 23, 1896, in Yakima, Washington.
Died Jan. 30, 1926 of tuberculosis and nephritis in Altadena, Calif. S ilent-film actress and screenwriter Barbara La Marr once said, "I take lovers like roses . . . by the dozen." And she was hardly exaggerating: By age 19 she had been married three times, divorced and widowed. In her 20s, she married twice more.
Length: 5 reels. General Release: December 5, 1920. Director: Howard M. Mitchell. Writers: Ouida (aka Maria Louise Ramé) (story [ Two Little Wooden Shoes, an 1874 novel]), Barbara La Marr Deely (adaptation) and Frank Howard Clark (scenario). Cinematography: Friend F. Baker and George Schneiderman.
