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Durante los años siguientes, Karsávina fue ascendiendo en el escalafón formando parte del grupo de bailarines jóvenes que rodeaban al no menos joven maestro de ballet y coreógrafo Michel Fokine. Ella fue la protagonista de El Pabellón de Armida (1907) y Une nuit de Égypte (1908) con los que Fokine conquistó el puesto de coreógrafo titular del Mariinski.
Michel Fokine was a dancer and choreographer who profoundly influenced the 20th-century classical ballet repertoire. In 1905 he composed the solo The Dying Swan for the Russian ballerina Anna Pavlova. As chief choreographer for the impresario Serge Diaghilev’s Ballets Russes from 1909 to 1914, he
Fokine, Michel, 1880-1942. Papers: Guide. in the Harvard Theatre Collection, Houghton Library, Harvard College Library Archived 2010-07-18 at the Wayback Machine; Fokine, Michel (1880 - 1942) at Australia Dancing Archived 2008-07-23 at the Wayback Machine; The Fokine Estate archive; Mikhail Fokine at Find a Grave
Michel Fokine, one of the great cultural figures of the twentieth century, radical choreographer of the Ballet Russes, revolutionized the art of dance, and is considered the “father of modern ballet”.
Fokine. Michel Fokine ou Mikhail Mikhailovich Fokin (Михаил Михайлович Фокин) (São Petersburgo, 26 de abril de 1880 - Nova Iorque, 22 de agosto de 1942) foi filho de um comerciante abastado. [1] [2] Com nove anos ingressou na Escola lmperial de Bailados, anexa ao Teatro Marinsky.
Michel Fokine, c. 1910. Mijaíl Mijáilovich Fokin (rusu: Михаи́л Миха́йлович Фо́кин; 11 d'abril de 1880 (xul.), San Petersburgu – 22 d'agostu de 1942, Nueva York), más conocíu pol nome afrancesáu de Michel Fokine, foi un revolucionariu maestru de balé, coreógrafu y baillarín rusu.
Choreography by Michel Fokine Music by Robert Schumann Ballet Theatre Premiere: January 13, 1940 This ballet typifies the Romantic Revolution in ballet. The work features short pieces performed by masked revelers at Carnaval, a festival before Lent. The work exudes a light, humorous and joyous atmosphere combined with moments of poignancy and ...
