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Maya Deren (born Eleonora Derenkovskaya, Ukrainian: Елеоно́ра Деренко́вська; May 12 [O.S. April 29] 1917 – October 13, 1961) was a Ukrainian-born (then part of the Russian Empire, now independent Ukraine) American experimental filmmaker and important part of the avant-garde in the 1940s and 1950s.
Maya Deren. The dynamic, relentless and volatile nature of Maya Deren’s character, career, life, work and sudden early death at the age of 44 in 1961, inextricably colour the complex and contradictory legend of a pioneer of avant-garde filmmaking and feminist inspiration. A writer, political activist, dancer, poet and photographer, it was ...
12 de dic. de 2002 · Maya Deren: The High Priestess of Experimental Cinema. Maya Deren is recognizable as the woman with the enigmatic expression at the window, silently observing from within. Although her eyes indicate distrust, she is not desperate to escape her domestic space, but she is not entirely comfortable immured behind the glass.
For this groundbreaking avant-garde film, Deren filmed dancer Talley Beatty as he performed a highly condensed dance sequence in a variety of settings, from ...
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- The House of Hidden Knowledge
4 de oct. de 2002 · That, in Deren’s opinion, dance and film share issues regarding physical performance is telling. Deren rejects both over-coded or cliché gestural performance and the everyday body as, in one way or another, inappropriate for her ideal cinema. What Deren turns to are stylised gestures and dance. Paul Valéry, writing in 1936, provides a ...
17 de oct. de 2017 · 34. Este pasado 13 de octubre, se cumplieron 56 años del prematuro fallecimiento de Maya Deren, cineasta de la segunda camada de los vanguardistas y a título bien merecido, madre del cine underground estadounidense e influencia vital de muchos cineastas y artistas modernos como David Lynch. En este artículo homenajearemos a la artista ...
Maya Deren exploró una nueva forma cinemática para crear un cine-ritual. Este programa agrupa sus obras más relevantes en esa obsesiva investigación, intelectual y pasional, que quedó en parte inacabada y como promesa de un cine posible y que atraviesa toda su trayectoria: el cine como forma de meditación y poética de la metamorfosis, a fin de «buscar la verdad que es más extraña que ...
