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In 1930, Josef von Sternberg was selected to direct Germany’s first major sound film; Paramount Pictures loaned its contract director to Germany’s UFA production house to direct Emil Jannings once again. For the leading woman, von Sternberg, guided by his admiration for the art of Félicien Rops and
8 de may. de 2019 · Josef von Sternberg. Von Sternberg’s strength is his top three films and his overall landmark and meticulous aesthetic approach and innovation. It’s hard to ignore someone so synonymous with mise-en-scene, obviously an important aspect of cinema (one of the key four elements along with camera movement, editing and form). I feel like von Sternberg is a great litmus test for film students as ...
Josef von Sternberg (1894 - 1969) fue un director y guionista de conocido por El ángel azul, El expreso de Shanghai, Marruecos, La Venus rubia, Crimen y castigo, Capricho imperial, La última orden, Los muelles de Nueva York, El embrujo de Shanghai y El diablo es una mujer
Josef von Sternberg, nato Jonas Sternberg ( Vienna, 29 maggio 1894 – Hollywood, 22 dicembre 1969 ), è stato un regista, sceneggiatore, produttore cinematografico, montatore, direttore della fotografia e scenografo austriaco naturalizzato statunitense . Fu un cineasta completo, coprendo nei suoi film anche altri ruoli come quello di montatore ...
Josef von Sternberg war von 1926 bis 1930 in erster Ehe mit der Filmschauspielerin Riza Royce (1903–1980) verheiratet. 1945 heiratete er Jean Avette McBride (* 1894). Die Ehe wurde 1947 geschieden. Mit der Kunsthistorikerin Meri Otis Wilner (1920–2015) war von Sternberg von 1948 bis zu seinem Tod verheiratet.
Josef von Sternberg’s The Last Command is a brilliantly realized silent melodrama and a witty send-up of the Hollywood machine, featuring virtuoso cinematography, grandly designed sets and effects, and rousing Russian Revolution sequences. Towering above it all is the passionate, heartbreaking Jannings, whose portrayal of a man losing his ...
The section on “Josef von Sternberg” in Cahiers du cinema from 1965 demonstrates the longstanding interest of French critics in the director. Also tracing the director’s film work is Baxter 1971 , with Baxter 2010 providing more detail regarding the shape of the career as well as the roles of those who worked with von Sternberg.
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