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  1. 6 de dic. de 2017 · Among these artists, Quentin Tarantino himself reprised many of Bava’s intuitions from Cani Arrabbiati (“Rabid Dogs”, 1974) for his debut film, “Reservoir Dogs”. Son of the sculptor and special effects photographer Eugenio, Mario Bava started his career in the movie industry as a cinematographer, working under his father’s guidance.

  2. Mario Bava (July 31, 1914 – April 25, 1980) was an Italian director, screenwriter, and cinematographer remembered as one of the greatest names from the "golden age" of Italian horror films. Description above from the Wikipedia article Mario Bava, licensed under CC-BY-SA, full list of contributors on Wikipedia.

  3. 2 de jul. de 2021 · Of the “Big 3” of Italian horror filmmakers—Mario Bava, Dario Argento, and Lucio Fulci—Bava seems, on the basis of my admittedly unscientific research, to be the least well known. If one were to do even a cursory perusal of those corners of the internet that care about such things, one would find ample discussion of Argento and Fulci but relatively little about Bava.

  4. 29 de sept. de 2023 · If you’re a horror fan, you love Mario Bava, even if you haven’t seen a single one of the Italian maestro’s movies. That’s because Bava is one of the most influential filmmakers the genre’s ever widened its eyes to – leaving his bloody thumbprints on the formation of some of the most famous franchises in cinema history… even if he didn’t actually direct any of them.

  5. www.wikiwand.com › es › Mario_BavaMario Bava - Wikiwand

    Mario Bava fue un director de cine italiano, hijo del director de fotografía y escultor Eugenio Bava, y padre del cineasta Lamberto Bava. Dirigió las películas de horror La máscara del demonio, Bahía de Sangre, y Seis Mujeres para el Asesino.

  6. Descubre todas las películas de la filmografía de Mario Bava. De sus inicios hasta el final de sus 21 años de carrera.

  7. 2 de sept. de 2021 · Mario Bava (1914-1980) -hijo del director de cine Eugenio Bava (1866-1966)- fue primero un gran director de fotografía y un inventivo creador de efectos especiales, antes de debutar con La máscara del demonio (1960) -disponible en Filmin- película en blanco y negro que parece rodada en color, que convirtió en estrella a la magnética Barbara Steele, de enormes y diabólicos ojos.