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Vincente Minnelli. Director: An American in Paris. Born Lester Anthony Minnelli in Chicago on February 28 1903, his father Vincent was a musical conductor of the Minnelli Brothers' Tent Theater. Wanting to pursue an artistic career, Minelli worked in the costume department of the Chicago Theater, then on Broadway during the depression as a set designer and costumer, adopting a Latinized ...
Vincente Minnelli, American motion-picture director who infused a new sophistication and vitality into filmed musicals in the 1940s and ’50s. His movies included Meet Me in St. Louis, An American in Paris, The Band Wagon, Gigi, Bells Are Ringing, and On a Clear Day You Can See Forever.
6 de abr. de 2024 · Pasión. Si hubiera que buscar una palabra con la que resumir el cine de Vincente Minnelli, no podría ser otra.Ya sea en un alegre y colorido musical, en un melodrama en un pequeño pueblo de la ...
Minnelli syntyi nimellä Lester Anthony Minnelli, mutta otti käyttöönsä nimen Vincente, todennäköisesti hyötyäkseen isänsä Vincent Minnellin luomasta urasta teatterin parissa. Teatterin parissa myös nuorempi Minnelli uransa aloitti. 1930-luvulla hän teki sopimuksen ensin Paramountin kanssa ja sitten Metro-Goldwyn-Mayerin kanssa, jossa hän vietti vuoden tutustuen eri osastoihin ...
Vincente Minnelli (lata 50.) Vincente Minnelli (właśc. Lester Anthony Minnelli; ur. 28 lutego 1903 w Chicago, zm. 25 lipca 1986 w Beverly Hills) – amerykański reżyser filmowy i teatralny. Laureat Oscara dla najlepszego reżysera za film Gigi (1958). Ojciec Lizy, aktorki i piosenkarki.
Vincente Minnelli (born Lester Anthony Minnelli; February 28, 1903 – July 25, 1986) was an American stage director and film director. For a career nearly spanning almost five decades, he is best known for his sophisticated innovation and artistry in musical films. As of 2024, six of his films have been selected for preservation in the United ...
In his time, Vincente Minnelli was known as a great fantasist. Which is true enough. But the films he made without any fantasy elements whatsoever—like The Clock or The Bad and the Beautiful—are just as hallucinatory as anything in The Pirate or Ziegfeld Follies. Everything is grounded in a complete encompassing vision.
