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One of the greatest films about film ever made, Federico Fellini’s 8½ marks the moment when the director’s always-personal approach to filmmaking fully embraced self-reflexivity, pioneering a stream-of-consciousness style that darts exuberantly among flashbacks, dream sequences, and carnivalesque reality, and turning one man’s artistic crisis into a grand epic of the cinema. Marcello ...
Struggling to find inspiration for his next project, acclaimed director Guido Anselmi wrestles with his dreams, memories and desires in his search for creativity. Blending visions with reality, his artistic crisis leads him down many a strange and twisted paths, as his life unravels around him.
8½. Directed by Federico Fellini • 1963 • Italy. Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini's 8 1/2 (Otto e mezzo) turns one man's artistic crisis into a grand epic of the cinema.
13 de abr. de 2015 · BFI trailer for the new restoration of Federico Fellini's Oscar winning 8 1/2 (Otto E Mezzo). Book tickets for BFI Southbank screenings here: http://bit.ly/1...
- 2 min
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- BFI
8½ (1963) Federico Fellini’s portrait of the film director as harried ringmaster and unreliable dreamer, spinning gold from his memories and fantasies. Subscribe to watch on BFI Player Buy on Blu-Ray £10.99. Watch and discover. Sight and Sound.
12 de ene. de 2010 · 8½: a bizarre and puzzling title, but one precisely appropriate for this film, which announces in its first frame that modernism has reached the cinema. If the mark of modernism in art is self-reference, 8½ surely goes beyond any predecessor in having itself as its subject. By 1963, Federico Fellini had made, by his count, seven and a half films. Hence 8½ is like an opus number: this is ...
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
