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Paintings by Bernardino Luini. Luini was the most famous Milanese painter of the early 16th century. He worked as a fresco painter in Milan, and also in Saronno and Lugarno and elsewhere in Lombardy. Luini was deeply affected by Leonardo da Vinci, who was in Milan from 1483. Many of his paintings, like 'Christ among the Doctors' and the 'Virgin ...
Quattrini, Cristina., Bernardino Luini: catalogo generale delle opere, Allemandi,, 2019, pp. p. 398-400. Pérez de Tudela, Almudena, Pompeo Leoni como agente artístico de Felipe II y la llegada a Madrid de los manuscritos leonardescos, En: Magoga Piñas Azpitarte (comisaria), El ingenio al servicio del poder.
Bernardino Luini (c. 1480/82 – June 1532) was a North Italian painter from Leonardo's circle during the High Renaissance. Both Luini and Giovanni Antonio Boltraffio were said to have worked with Leonardo directly; he was described as having taken "as much from Leonardo as his native roots enabled him to comprehend".
Luini, Bernardino. Sus primeros trabajos seguros lo vinculan al arquitecto y pintor Donato Bramante. Posteriormente parece ligado con Zenale y la cultura perspectívica milanesa. Es a partir de 1516 cuando se establece la definitiva maduración del estilo de Luini, creado a partir de una reflexión sobre fórmulas clasicistas y leonardescas.
Bernardino Luini (born c. 1485—died 1532, Milan) was a Renaissance painter of Lombardy, best known for his mythological and religious frescoes. Little is known of Luini’s life; the earliest surviving painting that is certainly his work is a fresco (1512) of the “Madonna and Child” at the Cistercian monastery of Chiaravalle, near Milan .
Bernardino Luini was a North Italian painter from Leonardo's circle during the High Renaissance. Both Luini and Giovanni Antonio Boltraffio were said to have worked with Leonardo directly; he was described as having taken "as much from Leonardo as his native roots enabled him to comprehend".
This painting by Bernardino Luini belongs to an extensive catalogue of artworks depicting Salome with the head of John the Baptist. It was a very prevalent subject among Lombardy’s artistic circles at the turn of the sixteenth century (a movement with which Leonardo da Vinci was often associated), and its popularity is most likely linked to Aimery d’Amboise, Grand Master of the Knights ...
