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  1. Sir Joshua Reynolds PRA (1723 - 1792) The Royal Academy’s first president, Joshua Reynolds, was considered the leading portrait painter of his day and a key figure in the Academy. Still in print today, and widely translated, his groundbreaking Discourses in Art were hugely influential on the development of British art.

  2. ジョシュア・レノルズ(Sir Joshua Reynolds, 1723年 7月16日 - 1792年 2月23日)は、ロココ期のイギリスの画家。 ロイヤル・アカデミー・オブ・アーツ の初代会長を務めた。

  3. Hace 2 días · Sir Joshua Reynolds. 1723 - 1792. Reynolds was the leading English portraitist of the 18th century. Through study of ancient and Italian Renaissance art, and of the work of Rembrandt, Rubens and Van Dyck, he brought great variety and dignity to British portraiture. Reynolds was born at Plympton in Devon, the son of a headmaster and fellow of ...

  4. Order Oil Paintingreproduction. Sir Joshua Reynolds RA FRS FRSA (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th Century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect.

  5. Reynolds, Joshua. (Plympton, Devonshire, 1723-Londres, 1792). Pintor británico, hijo de un pastor protestante, ingresa en 1740 en el taller de Thomas Hudson y solo tres años después inicia su carrera profesional como retratista. Viaja en 1749 a Roma, y regresa en 1752 a Londres, pasando por Florencia, Parma, Bolonia, Venecia y París.

  6. Joshua Reynolds was hugely prolific, producing over 2,000 portraits in his career. He is considered one of Britain's greatest artists, revolutionizing the art of portraiture and raising its status. He had a profound impact on both his contemporaries and successors and his style was emulated by artists including Hugh Barron, John Singleton Copley, and James Northcote.

  7. Né à Plympton Saint Maurice dans le Devon, Joshua Reynolds fait son apprentissage chez Thomas Hudson de 1740 à 1743. Entre 1749 et 1752, il séjourne en Italie, principalement à Rome. Après son installation à Londres en 1753, il domine en Grande-Bretagne, avec son rival Thomas Gainsborough , l'art du portrait dans la seconde moitié du XVIIIe siècle.

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