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  1. (b Cigoli, nr. San Miniato, 21 Sept. 1559; d Rome, 8 June 1613). The outstanding Florentine painter of his generation, whose work represents the complex stylistic cross-currents in the period of transition from Mannerism to Baroque.

  2. Ludovico Cardi. An Italian painter and architect of the late Mannerist and early Baroque style, Lodovico Cardi, called Cigoli was active in Florence and Rome. Taking his surname from Villa Castelvecchi di Cigoli in Tuscany, he first trained in Florence with Alessandro Allori (1535 – 1607). Allori was an important painter of the late Mannerist ...

  3. www.wikidata.org › wiki › Q928350Cigoli - Wikidata

    Tuscan painter active in Rome (1559-1613) Ludovico Cardi; Lodovico Cardi; Lodovico Cardi-Cigoli; Lodovico Cardi da Cigoli

  4. www.wikiwand.com › es › CigoliCigoli - Wikiwand

    Ludovico Cardi, conocido como Cigoli o El Cigoli ( San Miniato, 1559 - Roma, 1613), fue un pintor y arquitecto italiano. Su obra se ubica entre el manierismo tardío y el barroco temprano. Se educó y desarrolló gran parte de su carrera en Florencia, y pasó los últimos nueve años de su vida en Roma. Ludovico Cigoli, retratado por su ...

  5. Ecce Homo. Lodovico Cardi, detto il Cigoli (Cigoli, San Miniato 1559 - Roma 1613) This painting - perhaps the best known by Ludovico Cigoli and considered one of his masterpieces - was commissioned by Massimo Massimi, a Roman nobleman. Cigoli’s biography, which was written by his nephew in 1628 – following a typical literary topos – tells ...

  6. Italian, 1559 – 1613. Follow. Lodovico Cardi, also known as Cigoli, was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome. Lodovico Cardi was born at Villa Castelvecchio in Cigoli, Tuscany, whence the name by ...

  7. The Partnership of Art and Science: The Moon of Cigoli and Galileo. In 1612 Galileo wrote to his friend, the painter Lodovico Cardi, known as Cigoli: The statue does not have its relief by virtue of being wide, long and deep but by virtue of being light in some places and dark in others. And one should note as proof of this that only two of its ...

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