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John Lyly was the first English dramatic superstar of the Elizabethan era. His famous Euphues novels and early plays introduced a highly-affected style of writing which became, for a brief time, wildly fashionable in court circles. Read more about John Lyly here. The Annotated Plays of John Lyly: Campaspe (1580-81) Sapho and Phao (1582-84) Love’s Metamorphosis… Continue Reading The Plays ...
约翰·李利. 约翰·李利 (John lyly)（1554—1606），伊丽莎白时代“大学才子派”的戏剧家，著名散文小说家。. 在24 岁时以散文小说《尤菲绮斯》扬名，1580 年又出版了续集《尤菲绮斯和他的英格兰》。. 个人简介. 李利是“大学才子派”中最年长的，他的喜剧多半以 ...
John Lyly (Lilly or Lylie) (c. 1553 – 1606) was an English writer and playwright, best known for his prose romance Euphues and his comedic play Endimion.Lyly died a poor and bitter man, neglected by Queen Elizabeth and almost forgotten by most of his peers; his reputation has sadly not fared much better since his death, even though he is without question one of the most important ...
This chapter will give this side of Shakespeare’s authorship a new emphasis by juxtaposing it with different elements of Lyly’s influence over his early career, charting the use of Lyly’s prose fiction in Two Gentlemen of Verona and his play The Woman in the Moon in Titus Andronicus. By looking at various kinds of influence – generic ...
John Lyly (1553 or 1554 – November 1606; also spelled Lilly, Lylie, Lylly) was an English writer, dramatist, courtier, and parliamentarian. he was best known during his lifetime for his two books Euphues: The Anatomy of Wit (1578) and its sequel Euphues and His England (1580).
8 de jun. de 2018 · LYLY, John [ c. 1554–1606]. English writer and Member of Parliament, born in Kent, and educated at Oxford and Cambridge. Known as ‘the Euphuist’, he was one of the first prose stylists to leave a lasting mark on the language. He wrote the two-part romance Euphues, or the Anatomie of Wit (1578) and Euphues and his England (1580), an early ...
15 de ene. de 2020 · In short (very short), John Lyly (c.1554-1606) was one of the star playwrights of the late 1500s. Nearly all his plays were written for the Children of Paul’s, perhaps the most important boy theatre company in early modern London. Many of his characters are women, nymphs, or fairies; at the time, these were roles for young men and boys.
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