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Judith and Holofernes Artemisia Gentileschi ca. 1612-13. Museo e Real Bosco di Capodimonte Italy. Judith and Holofernes. Details. Title: Judith and Holofernes;
Judith Beheading Holofernes, oil painting created in 1620 by Italian artist Artemisia Gentileschi. This is one of the most vivid treatments of the scene, almost shocking in its violence and immediacy. Gentileschi was trained by her father, Orazio Gentileschi, and by Agostino Tassi, a painter of landscapes and seascapes.
Judith and Holofernes. This large painting signed by the artist was in Palazzo Pitti in 1638 and was tranferred to the Uffizi in 1774. In 1635 the Artist thanked Galileo Galilei for having helped her obtain payment, most likely for this painting for Cosimo III who was an empassioned collector of caravaggesque paintings.
Judith and Holofernes. This large painting signed by the artist was in Palazzo Pitti in 1638 and was tranferred to the Uffizi in 1774. In 1635 the Artist thanked Galileo Galilei for having helped her obtain payment, most likely for this painting for Cosimo III who was an empassioned collector of caravaggesque paintings.
Artemisia Gentileschi, Judith Slaying Holofernes, c 1612, Museo e Real Bosco di Capodimonte, Naples, Italy. This history is relevant as Gentileschi's early life has come to inform the perspectives of many contemporary feminist art historians, including Mary Garrard, and particularly in the case of Judith Slaying Holofernes.
In “ Judith and Holophernes ” (found in Hall 90 along with Caravaggio), the biblical heroine Judith, a traditional example of virtue and chastity, is shown about to decapitate her despised Assyrian enemy whom she has tricked by seduction while keeping her purity safe. The canvas was probably painted for Cosimo II de’ Medici and completed ...
Judith and Holofernes Artemisia Gentileschi ca. 1612-13. Museo e Real Bosco di Capodimonte Italy. Judith and Holofernes. Details. Title: Judith and Holofernes;
