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28 de may. de 2000 · The conventional wisdom is that Federico Fellini went wrong when he abandoned realism for personal fantasy; that starting with "La Dolce Vita" (1959), his work ran wild through jungles of Freudian, Christian, sexual and autobiographical images. The precise observation in "La Strada" (1954) was the high point of his career, according to this view, and then he abandoned his neorealist roots. "La ...
21 de abr. de 2022 · 8 e 1/2 - OTTO E MEZZOdi Federico FelliniItalia, 1963 - b/n 720p#100filmdasalvare. An icon used to represent a menu that can be toggled by interacting with this icon.
One of the greatest films about film ever made, Federico Fellini’s 8½ marks the moment when the director’s always-personal approach to filmmaking fully embraced self-reflexivity, pioneering a stream-of-consciousness style that darts exuberantly among flashbacks, dream sequences, and carnivalesque reality, and turning one man’s artistic crisis into a grand epic of the cinema.
16 de dic. de 2022 · 8 1/2 (stylized as 8 ½ or Eight and a half) is considered one of the masterpieces by the Italian director Federico Fellini. Often included in the lists of the best movies ever made, 8 ½ is a fascinating vision that usually leaves viewers puzzled about what they saw. It has been defined as “the movie that never existed” for a reason: in ...
La película se convirtió en un símbolo del barroco europeo a mediados del siglo XX. Es brillante, imaginativa y divertida. La canalización de una crisis convertida en una oportunidad, en una obra de arte magistral. Fellini ya tenía reconocimiento (premios, crítica aclamada, éxito) pero con «8 1/2» llegó al nivel máximo de ...
Inventive, thought-provoking, and funny, 8 1/2 represents the arguable peak of Federico Fellini's many towering feats of cinema. Troubled Italian filmmaker Guido Anselmi (Marcello Mastroianni ...
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Marcello Mastroianni in Federico Fellini's 8 1/2 (1963). Otto e mezzo (1963; 8 1/2) is among Fellini’s most widely praised films and earned the director his third Oscar for best foreign film. Entitled 8 1/2 for the number of films Fellini had made by that time (seven features and two shorts), it shows a famous director (based on Fellini and ...
