Resultado de búsqueda
18 de jun. de 2019 · Andy Warhols Marilyn Monroe verkörperte alles, was Pop Art war. Nicht zuletzt alleine schon deshalb, da Marilyn Monroe eine der größten Ikonen der amerikanischen Populärkultur ihrer Zeit war. Warhols Darstellungen von den Sternchen der Zeit erkunden die Beziehungen zwischen Konsumgesellschaft, Mode, Ruhm, Sensationslust und dem Tod.
4 de ago. de 2022 · Se destapa una la peculiar conexión entre la vida de Marilyn, la de Warhol, y la del Pop Art. Esta imagen de la película Niagara (1953) fue la protagonista de las obras de Warhol. Bettmann
4 de ene. de 2024 · Willem de Kooning, Marilyn Monroe, 1954, Neuberger Museum of Art, Purchase, NY, USA. In his 1954 painting of Marilyn Monroe, the artist zeroes in on the defining elements of Monroe’s cinematic allure as seen in films like Niagara, Gentlemen Prefer Blondes, and How to Marry a Millionaire. Her iconic blonde hair, captivating blue eyes, and ...
31 de ene. de 2023 · Using this photograph, he made a number of Marilyn Monroe Pop artworks, such as Marilyn Diptych, which is now regarded as among the world’s most significant examples of Modern art. Rather than sketching or painting her visage, Warhol picked an existing photograph that he knew virtually everyone would recognize.
Ce Marilyn Monroe tableau pop art est un tableau unique qui s'intègre parfaitement à tout décor mural. Avec ses multiples portraits de Marilyn Monroe, l'actrice emblématique, dans un style pop art, cette décoration murale sera parfaite pour tous ceux qui cherchent à décorer leur espace de vie avec un style pop art.
Andy Warhol decise di ritrarre Marilyn Monroe per puro caso in una delle sue prime e certamente opere più famose di Pop Art. Rappresentandola in questo modo, restituì l’immagine di una donna sensuale e irraggiungibile ambita dalla società, un desiderio di massa, una donna che racchiude in sè tutto ciò che la società moderna desidera.
Screen icon and sex symbol Marilyn Monroe was a favorite subject of many Pop artists, and she figures prominently in more than fifteen works in the Museum’s collection. Here, in a tribute to the actress created soon after her suicide in 1962, Rosenquist inverted and fragmented her image and superimposed a portion of her name over it.
