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Hace 2 días · 1484/5 - 1545. Hans Baldung, who was called Grien, was one of the leading German painters of the early 16th century. He is known for his portraits and secular cabinet pictures as well as for his altarpieces. He was probably trained by Dürer, and was also an accomplished draughtsman and printmaker. In his treatment of landscape there is an ...
The Witches. A masterpiece of German chiaroscuro, this woodcut is one of Hans Baldung Grien's best known prints, produced soon after his move to Strasbourg from Nuremberg, where he had worked as a journeyman with Albrecht Dürer from about 1503 to 1507. Although Baldung was not the inventor of the chiaroscuro woodcut—the credit for this must ...
Baldung Grien was a 16 th -century German artist who was active as a painter, printmaker and stained-glass designer. He trained in Strasbourg and completed his studies in Dürer’s workshop where he is documented around 1503. His nickname of “Grien” (green, in old German) dated from his youth when he was known for his preference for that ...
18 de ene. de 2024 · Surrounded by physicians, lawyers, and scholars, Hans Baldung Grien was one of the first German artists from a learned family. He first studied in Strasbourg or Swabia around 1499. While in Albrecht Dürer's Nuremberg workshop from 1503 to 1507, he was nicknamed "Grien," probably after his favorite color, green, and to distinguish him from ...
Armonía (Las Tres Gracias) Armonía (Las Tres Gracias) es un óleo sobre tabla pintado entre 1541 y 1544 por el artista alemán Hans Baldung, conservado en el Museo del Prado . El trabajo, en formato vertical y tamaño casi natural, es una pintura alegórica que forma pareja o pendant con la conocida Las tres edades y la Muerte.
Osten, Gert von der, Hans Baldung Grien: Gemälde und Dokumente, Berlín, Deutscher Verlag für Kunstwissenschaft, 1983. Perseke, Helmut, Hans Baldungs Schaffen in Freiburg , Friburgo, 1941. Portús Pérez, Javier, La Sala Reservada del Museo del Prado y el coleccionismo de pintura de desnudo en la corte española, 1554-1838 , Madrid, Museo del Prado, 1998, n.os 5 y 41.
