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  1. 3 de jun. de 1992 · Robert Adolph Wilton Morley CBE (26 May 1908 – 3 June 1992) was an English actor who, often in supporting roles, was usually cast as a pompous English gentleman representing the Establishment. In Movie Encyclopedia, film critic Leonard Maltin describes Morley as "recognizable by his ungainly bulk, bushy eyebrows, thick lips, and double chin, […] particularly effective when cast as a ...

  2. Robert Morley nel 1975. Robert Adolph Wilton Morley ( Semley, 26 maggio 1908 – Reading, 3 giugno 1992) è stato un attore britannico .

  3. Robert Morley, född 26 maj 1908 i Semley i Wiltshire, död 3 juni 1992 i Wargrave i Berkshire, var en brittisk skådespelare. Morley erhöll sin skolutbildning i Storbritannien, Tyskland, Frankrike och Italien och det var tänkt att han skulle göra karriär som diplomat, men istället valde han teaterbanan och skrev in sig vid RADA-Royal Academy of Dramatic Art.

  4. Robert Morley fue nominado al Oscar de la Academia por su retrato del rey Luis XVI. A partir de entonces comenzó a aparecer regularmente en producciones británicas y americanas, siempre en papeles secundarios. En 1949 obtuvo un gran éxito como autor teatral con la obra Edward my son, escrita en colaboración con Noel Langley, adaptada poco ...

  5. Hace 6 días · Robert Morley (born May 26, 1908, Semley, Wiltshire, Eng.—died June 3, 1992, Reading, Berkshire) was a prolific English actor, director, and playwright whose forte was comedy and comedy-drama. Morley was a graduate of the Royal Academy of Dramatic Art , London, and made his professional debut in Margate in 1928.

  6. 17 de jun. de 2020 · Roger Ebert May 21, 1967. Tweet. Robert Morley opened the door and stood inside, beaming and nodding and making desperate gestures with his right hand, which held a large pocket-handkerchief. Although his mouth opened and closed, no words came out. At last he raised a finger dramatically into the air and we stood in silence until a thunderous ...

  7. Hace 2 días · Robert Morley's portly frame, double chin and perpetual look of pop-eyed surprise made him one of the screen's most recognisable performers and one of its most endearing personalities. There was often a touch of the great overgrown schoolboy about him, and his published interviews encouraged the perception that to him acting was no more than a delightful game for which one was paid.