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21 de nov. de 2006 · An integral part of Mr. Mackmurdo's undertaking was the appearance at regular intervals of an official organ; and so, when in 1882, together with Mr. Herbert Home, his former pupil, taken subsequently into partnership, and his friend Mr. Selwyn Image, he instituted the Century Guild, the issue of the Hobby Horse came as a due and fitting sequence.
Arthur Heygate Mackmurdo (born Dec. 12, 1851, Edmonton, Middlesex [now in London], Eng.—died March 15, 1942, Wickham Bishops, Essex) was an English architect, designer, and a pioneer of the English Arts and Crafts movement. After studying at the Ruskin School of Drawing and Fine Art, Oxford, and traveling with John Ruskin to Italy, Mackmurdo ...
Arthur Heygate Mackmurdo (12. joulukuuta 1851, Lontoo – 15. maaliskuuta 1942) oli progressiivinen englantilainen arkkitehti ja muotoilija, joka vaikutti arts and crafts-liikkeessä. Tunnetuksi hän tuli Century Guild of Artists -organisaation kautta, jonka hän perusti ystävänsä Selwyn Imagen sekä vanhan oppilaansa Herbert P. Hornen kanssa vuonna 1882.
Arthur Heygate Mackmurdo [also known as A.H. Mackmurdo] was born in Edmonton, Middlesex, England on 12 December 1851 and was articled to the architect Thomas Chatfield Clarke (1829-1895) in London. In 1873 he moved to the London office of James Brooks (1825-1901), a Gothic Revival architect, to whom Mackmurdo later acknowledged his debt "as an exemplar of methodical thoroughness".
23 de abr. de 2021 · At least that’s the story narrated by architectural historian and writer Nikolaus Pevsner in his influential book Pioneers of Modern Design (1936). Both were the work of Arthur Heygate Mackmurdo ...
8 de mar. de 2021 · Arthur Heygate Mackmurdo fue un arquitecto y diseñador industrial inglés que influyó en el movimiento Arts and Crafts, movimiento británico contemporáneo del Art Nouveau. Una e sus obras más influyentes y reconocidas es el diseño de la portada para las Iglesias barrocas de Londres de Sir Christopher Wren (1883).
Arthur Heygate Mackmurdo's title page for Wren's City Churches documents the influence of English design upon European Art Nouveau. Conceived in the same spirit as later European Art Nouveau designs, the title page exhibits complex relationships of positive and negative space, visual rhythms, and abstract forms based upon the natural growth of plants.
