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  1. Hace 6 días · Ferdinand II was the fifth grand duke (granduca) of Tuscany, a patron of sciences, whose rule was subservient to Rome. He was a boy of 10 when his father, Cosimo II, died in 1621; and his grandmother, Christine of Lorraine, and his mother, Maria Magdalena of Austria, were nominated regents.

    • The Editors of Encyclopaedia Britannica
  2. 29 de jun. de 2024 · A guide to the Gallery published by Fabbroni in 1798 - but presumably inspired by then director Tommaso Puccini - mentions a recent addition in the Antiricetto (then called the “Antivestibule”) of “deux bustes de Laurent et de Jean de Medicis surnommé le Grand- Capitain”.

  3. 29 de jun. de 2024 · The scene captures the moment of the oath of allegiance sworn by the Senators and other important Florentine figures to the young Ferdinando II in the Hall of the Five-hundred in the Palazzo Vecchio on March 11, 1621.

  4. Hace 3 días · He married Maria Maddalena of Austria, with whom he had his eight children, including Margherita de' Medici, Ferdinando II de' Medici, and an Anna de' Medici. He is most remembered as the patron of astronomer Galileo Galilei , whose 1610 treatise, Sidereus Nuncius , was dedicated to him. [32]

  5. 20 de jun. de 2024 · Medici family, Italian bourgeois family that ruled Florence and, later, Tuscany during most of the period from 1434 to 1737, except for two brief intervals. It provided the Roman Catholic Church with four popes (Leo X, Clement VII, Pius IV, and Leon XI) and married into the royal families of Europe.

  6. 29 de jun. de 2024 · The work was laboriously and painstakingly reassembled in the years immediately after its discovery and was then purchased by Ferdinando who decided to keep it in his villa on the Pincian Hill, where it remained until 1780 when he moved to Florence.

  7. 27 de jun. de 2024 · Cosimo de’ Medici is known for being the founder of one of the main lines of the Medici family that ruled Florence from 1434 to 1537. He was a patron of the arts and humanism and played an important role in the Italian Renaissance.

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