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  1. 13 de jun. de 2024 · Day o Banana Boat Song Harry Belafonte Mix Original Video 1956 4K Ultra HD HQ. Inscreva-se no Canal! Curta a Música! Encontre aqui vídeos musicais dos Anos mágicos 70, 80, 90 e 2000 ...

    • 3 min
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    • somantigo
  2. Hace 6 días · The Banana Boat Song, also known as “Day-O,” is a Caribbean folk song that gained worldwide popularity when it was recorded by Harry Belafonte in 1956. This iconic song carries a deeper meaning that reflects the struggles and resilience of the working class in the Caribbean.

    • Ken Chamberlain
  3. Hace 1 día · His second-most popular hit, which came immediately after "The Banana Boat Song", was the comedic tune "Mama Look at Bubu", also known as "Mama Look a Boo-Boo", originally recorded by Lord Melody in 1955, in which he sings humorously about misbehaving and disrespectful children.

  4. en.wikipedia.org › wiki › Alan_ArkinAlan Arkin - Wikipedia

    30 de jun. de 2024 · The band members co-composed the group's 1956 hit "The Banana Boat Song", a reworking, with some new lyrics, of a traditional, Jamaican calypso folk song of the same name, combined with another titled "Hill and Gully Rider". It reached No. 4 on the Billboard magazine chart the same year as Harry Belafonte's better-known version.

  5. 27 de jun. de 2024 · About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

    • 2 min
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    • Steven Zanettos
  6. 15 de jun. de 2024 · The “Day-O (Banana Boat Song)” is a traditional Jamaican folk song that has become a pop culture staple, particularly for its use in the 1988 movie Beetlejuice. This catchy song, often attributed to Harry Belafonte, is known for its simple, repetitive lyrics and upbeat melody, making it a fun and engaging musical piece.

  7. Global capitalism is nearly there. At the end of the world there will only be liquid advertisement and gaseous desire. Sublimated from our bodies, our untethered senses will endlessly ride escalators through pristine artificial environments, more and less than human, drugged-up and drugged down, catalyzed, consuming and consumed by a relentlessly rich economy of sensory information, valued by ...