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  1. 16 de may. de 2024 · Arnold Schoenberg was an Austrian-American composer who created new methods of musical composition involving atonality, namely serialism and the 12-tone row. He was also an influential teacher; among his most significant pupils were Alban Berg and Anton Webern.

  2. Hace 2 días · Arnold Schoenberg or Schönberg (13 September 1874 – 13 July 1951) was an Austrian and American composer, music theorist, teacher and writer. Among the first modernist composers to write music of dense motivic relations saturating the musical texture , he propounded concepts like developing variation , the emancipation of the dissonance , and the " unity of musical space ".

  3. 26 de may. de 2024 · To the occasional listener of symphony concerts, Arnold Schönberg (1874-1951) is generally known as one of the boldest modernists in music history. What surprises many people who take a closer look at his biography, however, is that he was anything but politically progressive.

  4. 21 de may. de 2024 · Arnold Schönberg (* 13. Sept. 1874 in Wien † 13. Juli 1951 in Los Angeles) "Acht Canons“ 1. „Es ist zu dumm“ 2. „Mister Saunders“ 3. „Wer mit der Welt laufen will“ 4. "I am almost ...

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  5. enciclo.enciclo.es › articulo › expresionismo-musicalExpresionismo musical

    26 de may. de 2024 · Expresionismo musical. Concepto Arnold Schönberg, Alban Berg, Anton von Webern, Paul Hindemith, Ernst Krenek y otros autores menores figuran englobados en el término durante una cierta época. Pero la confusión entre el expresionismo entendido musicalmente y la corriente estética general de este nombre hizo que el término fuera ...

  6. 10 de may. de 2024 · The anniversary exhibition at the Arnold Schönberg Center explores the origins, parallels, discontinuities and ruptures of this disturbance by following two decisive innovators of Viennese Modernism. Advocating progress in music, Schönberg embodied the courage to break with conventions.

  7. 28 de may. de 2024 · Erstmals wird sich das Arnold Schönberg Center kuratorisch mit den vom großen Gefühl durchdrungenen Partituren Schönbergs befassen, Kontexte erforschen, Bezugspunkte einer neutönenden Sprache über Liebe in der musikalischen Moderne um 1900 erschließen.

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