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Hace 1 día · Es el caso de su retrato de Ginevra Benci o la Dama de Liechtenstein; o su célebre retrato de Cecilia Gallerani, más conocido como La dama del Armiño; o el Retrato de Músico en la Pinacoteca Ambrosiana de Milán; o Beatriz de Este (esposa de Ludovico el Moro); o, claro, la Gioconda o Mona Lisa, una de las posibles cimas del arte del retrato de todos los tiempos.
30 de abr. de 2024 · The first of Leonardo da Vinci’s women’s portraits, painted in Milan around 1479, presents 15-year-old Cecilia Gallerani. It is best known as the Lady with an Ermine . She was Ludovico Sforza’s lover and, according to art critics, the animal was an emblem of docility and kindness.
4 de may. de 2024 · Fecha estreno: 8 de Febrero del 2014, en Argentina: 27 de Febrero del 2014. Director: George Clooney. Ubicación temporal: 1935 - 1945 Segunda Guerra Mundial. análisis de elementos formales de la película. El guión está basado en los hechos sucedidos a fines de la segunda guerra mundial.
Hace 3 días · Description: Leonardo da Vinci's "Lady with an Ermine" is a captivating portrait of Cecilia Gallerani, a young woman in the court of Ludovico Sforza, Duke of Milan. This exquisite painting, executed with da Vinci's characteristic precision and sensitivity, captures the grace and elegance of its subject.
30 de abr. de 2024 · Leonardo da Vinci, Portrait of Cecilia Gallerani (Lady with the Ermine), 1489-1491, Czartoryski Museum, Cracow, Poland. When Leonardo was 16, his father Piero married 20-year-old Francesca Lanfredini who died without having any children.
26 de abr. de 2024 · Twice Icons – Mona Lisa, ‘Portrait away from an early on Man’, and you may Cecilia Gallerani is actually Da Vinci’s artworks, but right here, they show the newest double signs. If they is actually arrived, its really worth will be twofold as the all of them counts because the a couple of signs.
2 de may. de 2024 · L’elevata qualità del dipinto, le affinità tecniche che esistono con le opere di Leonardo da Vinci e addirittura le tavole dell’opera che derivano dallo stesso tronco d’albero adoperato per il Ritratto di Cecilia Gallerani, escludono qualsiasi dubbio che l’opera possa essere di altra mano.
