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  1. 2 de jul. de 2024 · The Medici ruled the Grand Duchy from its inception until 1737, with the death of Gian Gastone de' Medici. The grand duchy witnessed degrees of economic growth under the early grand dukes, but was bankrupt by the time of Cosimo III de' Medici (r. 1670–1723).

  2. 20 de jun. de 2024 · Cosimo de’ Medici (1519–74), great-great-grandson of Lorenzo, became duke of Florence, then grand duke of Tuscany (1569), and reigned as Cosimo I. He established a new dynasty that perpetuated the family’s traditional regard for the arts and sciences.

    • The Editors of Encyclopaedia Britannica
  3. 29 de jun. de 2024 · The Francis I by Domenico Poggini, the Cardinal Leopold, by an unknown Florentine artist, and the Gian Gastone attributed to Antonio Montauti are in white marble. There was also another bust, which the elogium by Lanzi identified as Cosimo III, penultimate Medici Grand Duke.

    • Gian Gastone de Médici1
    • Gian Gastone de Médici2
    • Gian Gastone de Médici3
    • Gian Gastone de Médici4
    • Gian Gastone de Médici5
  4. 20 de jun. de 2024 · Medici family, Italian bourgeois family that ruled Florence and, later, Tuscany during most of the period from 1434 to 1737, except for two brief intervals. It provided the Roman Catholic Church with four popes (Leo X, Clement VII, Pius IV, and Leon XI) and married into the royal families of Europe.

  5. 2 de jul. de 2024 · Grabados De Calidad Del Museo Retrato de Gian Gastone de` Medici, Gran Duque de Toscana, 1737 de Ferdinand Richter (1693-1737, Germany) | ArtsDot.com ¡Compre 5 pinturas y obtenga 5% de descuento + 7% adicional en todos los productos!

  6. 29 de jun. de 2024 · The Meissen Porcelain Manufactory, which he founded in 1710, took as its model the oriental porcelain of the Kangxi era, of which our teapot is an example. Two versions of the model are noted in the sales inventories of the factory between 1727 and 1728: porcelain and stoneware.

  7. 29 de jun. de 2024 · The Uffizi Diva. The Medici Venus in the Tribune of the Uffizi. What makes an artwork praiseworthy? First of all, its beauty but also its myth making, indeed. This is the case of the Medici Venus brought by Napoleon to Paris, where it became a symbol of national identity.