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20 de may. de 2024 · In "Mr. Belloc Objects to 'The Outline of History' by H.G. Wells," Hilaire Belloc offers readers a penetrating examination of Wells's magnum opus. Drawing upon his own scholarly expertise and critical acumen, Belloc scrutinizes the foundations of Wells's historical narrative, interrogating its assumptions, interpretations, and omissions with precision and insight.
Hace 5 días · Y como dicen los italianos: «Amor fa molto; il denaro tutto». El amor hace mucho, el dinero todo. Hilaire Belloc, escritor inglés con nombre galicano, escribió el siguiente dístico, desfachatado quizá, pero sincero: «I’m tired of love; I’m still more tired of rhyme, / but money gives me pleasure all the time».
Hace 2 días · George Bernard Shaw, Hilaire Belloc, and G.K. Chesterton in 1927 (Wikimedia Commons) In Chesterton’s case, that refrain is “I think I will not hang myself to-day.” Using just two rhymes through the run of the poem — the -ay rhyme and the -all — he jokes his way through all the trivial and mundane reasons to go on living: an assertion of the commonsense wonder of ordinary life.
10 de may. de 2024 · “When you have lost your inns, drown your empty selves, for you will have lost the last of England,” the Franco-British writer Hilaire Belloc once warned. That danger has receded. john.gapper...
Hace 2 días · Asimismo, él forma parte de una serie de generaciones de católicos ─sobre todo, conversos─ que, entre la segunda mitad del siglo XIX y la primera del XX, abundaron en el solar británico: desde Newman e Hilaire Belloc hasta Evelyn Waugh y Ronald Knox ─quien definió a Chesterton como «profeta».
Hace 3 días · Two chapters each are devoted to presenting the work of the classical distributists, Hilaire Belloc, and G.K. Chesterton. Belloc’s The Servile State (1912) and his Essay on the Restoration of Property (1936) are analysed in chapters 3 and 4.
Hace 2 días · In the famous painting A Conversation Piece by Sir James Gunn in London’s National Portrait Gallery, Maurice Baring and Hilaire Belloc are shown standing behind a seated Chesterton. With his customary whimsical wit, Chesterton named the painting “Baring, Over-Bearing and Beyond Bearing”.
