Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Hace 3 días · It was created in 1157 as the Margraviate of Brandenburg by Albert the Bear, Margrave of the Northern March. In 1356, by the terms of the Golden Bull of Charles IV, the Margrave of Brandenburg was given the permanent right to participate in the election of the Holy Roman Emperor with the title of Elector (German: Kurfürst).

  2. Hace 3 días · The Ascanian line of Saxe-Wittenberg became extinct with the death of Elector Albert III in 1422, whereafter Emperor Sigismund bestowed the country and electoral dignity upon Margrave Frederick IV of Meissen, who had been a loyal supporter in the Hussite Wars.

  3. Hace 4 días · Frederick II ( German: Friedrich II.; 24 January 1712 – 17 August 1786) was the monarch of Prussia from 1740 until 1786. He was the last Hohenzollern monarch titled King in Prussia, declaring himself King of Prussia after annexing Royal Prussia from the Polish–Lithuanian Commonwealth in 1772.

  4. 9 de may. de 2024 · Frederick William was the elector of Brandenburg (1640–88), who restored the Hohenzollern dominions after the devastations of the Thirty Years’ War—centralizing the political administration, reorganizing the state finances, rebuilding towns and cities, developing a strong army, and acquiring clear.

  5. 14 de may. de 2024 · Die Herrschaft der brandenburg-preußischen Hohenzollern endete am 9. November 1918 in der Novemberrevolution durch Ausrufung der Republik in Berlin und dem Entstehen der Weimarer Republik. Der letzte Kaiser Wilhelm II. lebte nach seiner Flucht und Abdankung im Exil in den Niederlanden .

  6. 4 de may. de 2024 · C12 Bach’s Brandenburg – Part I. Compiled in 1721, and presented to the margrave of Brandenburg-Schwedt in Berlin, the six concertos written for a diverse, demanding and sometimes daring combination of instruments, represent some of the most jubilant, joyful music of the 18th century.

  7. 5 de may. de 2024 · Compiled in 1721, and presented to the margrave of Brandenburg-Schwedt in Berlin, the six concertos written for a diverse, demanding and sometimes daring combination of instruments, represent some of the most jubilant, joyful music of the 18th century.