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  1. 18 de may. de 2024 · Nos inspiramos en películas como “Network” (D: Sidney Lumet, DF: Owen Roizman ASC, 1976), donde la constante presencia de imponentes edificios crea una atmósfera asfixiante y claustrofóbica. La visión de un conglomerado de hierro y cemento representaba la deshumanización inherente a la sociedad, contribuyendo a transmitir la opresión y la falta de espacio para la respiración en ese ...

  2. en.wikipedia.org › wiki › The_ExorcistThe Exorcist - Wikipedia

    Hace 3 días · Owen Roizman, director of photography on The French Connection, worked in this position again on The Exorcist. He was in charge of filming every scene except for the Iraqi prologue, shot by Billy Williams. Roizman and Friedkin wanted The Exorcist, like their previous film, to

  3. 19 de may. de 2024 · The movie’s cinematography was handled by Owen Roizman. Roizmans mastery behind the camera contributes to the film’s overall visual appeal and atmospheric quality. “Three Days of the Condor” highlights the importance of trust and betrayal. It explores the fragile nature of relationships and the devastating consequences of deception.

  4. Hace 5 días · And I now agree with Blatty that this is the best and most complete version.” “The Extended Director’s Cut” contains three new documentaries: “Raising Hell: Filming the Exorcist,” including new revealing set footage produced and photographed by cinematographer Owen Roizman, as well as camera and makeup tests, interviews ...

  5. Hace 4 días · Owen Roizman er død, 86 år. Allerede i 1997 blev han hædret for sit store bidrag til filmens verden.

  6. 1 de may. de 2024 · Owen Roizman was a maverick who displayed a blatant disregard for the basic concept of light and lens. He taught us to be brave. There was no shortage of inspiration. ...

  7. Hace 4 días · The French Connection is a 1971 American neo-noir [6] action thriller film [7] directed by William Friedkin and starring Gene Hackman, Roy Scheider and Fernando Rey. The screenplay, written by Ernest Tidyman, is based on Robin Moore 's 1969 non-fiction book of the same name.