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22 de may. de 2024 · Sven Nykvist död. Sven Nykvist avled den 20 september efter en lång tids sjukdom. Sveriges internationellt mest uppmärksammade filmfotograf föddes den 3 december 1922 i Moheda, Småland, och hann fotografera över 125 filmer under 54 års verksamhet som A-fotograf. Photo: Bengt Wanselius.
15 de may. de 2024 · Sven Nykvist: Light Keeps Me Company - excerpts - YouTube. MagicWorksofBergman. 1.46K subscribers. Subscribed. 77. 12K views 15 years ago. Film excerpts from Carl-Gustav Nykvist's Sven...
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19 de may. de 2024 · Shot in the island of Fårö in the Baltic sea, which eventually would become the space for several other films by Bergman, the cinematographic collaboration between Bergman and Sven Nykvist is marked with subtle variations of grayscale and their innovative approach to mise en scène, to map the inner psychological realities of the ...
Hace 2 días · Lo kafkiano en un puro sentido visual evoca a esa fotografía casi expresionista de aquellas películas, y en el paso al color adquiere un tono ocre, de oscuridad cruda del el director de fotografía favorito de Ingmar Bergman, Sven Nykvist, que también se ocupó de la óptica de ‘El huevo de la serpiente’ (1976), película casi hermana, que el Sueco parece querer replicar a su manera.
15 de may. de 2024 · From the gorgeous shots of the countryside to the thrilling high-speed car sequences, Nykvist gives the film a gritty yet organic texture. “The Last Run” wasn’t well received at the box office and it’s a movie that you rarely hear talked about today. But it’s a rock-solid crime genre flick and yet another terrific vehicle for George C ...
Hace 2 días · Plot In 1907, young Alexander, his sister Fanny, and their well-to-do family, the Ekdahls, live in a Swedish town, running a moderately profitable theatre. At Christmastime, the Ekdahls hold a Nativity play and later a large Christmas party. The siblings' parents, Emilie and Oscar, are happily married until Oscar suddenly dies from a stroke. Shortly thereafter, Emilie marries Edvard Vergérus ...
Invested with a solemn majesty by cinematographer Sven Nykvist’s black-and-white photography and the music of Johann Sebastian Bach, Bergman’s lacerating film offers, among other things, a clear-eyed analysis of the troubling overlap between caregiving and exploitation. Save $7 on tickets.
