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  1. Hace 2 días · Philosophy as such has a character that is both concrete and speculative: its statements have value only if they are the result of a reflection on experience (…) it starts from aesthetic experience in order to return to it, according to the aforementioned idea of philosophy as based on the inseparability of experience and reflection (… .) the starting point of this aesthetics was not a ...

  2. Hace 4 días · This claim is substantiated by applying the phenomenological concept of sedimentation and drawing the political implications of this application. However, similarly to Edmund Husserl, Arendt identified a dual, problematic nature of sedimentation that underscores the importance of natality and thinking in artistic practice.

  3. Hace 4 días · Mitchum Huehls's Art, Theory, Revolution offers a new take on the problem. Drawing on a diverse set of contemporary novels, he argues that in them "we will find a vacillation in the form-politics homology that renders the relationship between politics and the conceptual forms of art, theory, and revolution ambiguous and undecidable" (3).

  4. Hace 3 días · Philosophy of the Arts presents a comprehensive and accessible introduction to those coming to aesthetics and the philosophy of art for the first time. The third edition is greatly enhanced by new sections on art and beauty, modern art, Aristotle and katharsis, and Hegel.

  5. Hace 4 días · Browse through our expert recommendations to find the best books on art, architecture, design, illustration, and photography for your own library – or to give as a gift to an art lover. Five Books art interviews explore themes in the visual arts from ancient times to the present day with historians, curators, critics and practitioners.

  6. Hace 5 días · Creative people have long understood the arts’ power to teach critical thinking and give people a sense of agency.

  7. Hace 3 días · 1.7: Analyzing Art. Most art is visually compelling. While materials and technique determine the range of what is possible, the final appearance of a work is the product of numerous additional choices made by the artist. An artist painting a portrait of a woman in oil on canvas must decide on the size and shape of the canvas, the scale of the ...