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  1. 7 de may. de 2024 · Christine de Pisan (circa 1364--1430) was born in Italy and came to France at the age of four with her father. Arguably the first woman in Europe to earn a living as an author, she is widely regarded as an early feminist who spoke out for the rights of women and espoused female achievement.

  2. 7 de may. de 2024 · The first professional female writer, Christine de Pizan (1363-1431) was widowed at age twenty-five and supported herself and her family by enlisting powerful patrons for her poetry. Her Livre de la Cité des Dames (1405) is the earliest European work on women's history by a woman.

  3. 4 de may. de 2024 · Christine de Pizan was the first woman of letters to make a living from her pen. She asserted her position as an author by defending a literary aesthetic. Open in app

  4. 6 de may. de 2024 · Christine de Pizan fue una filósofa, poetisa humanista y escritora francesa, nacida en Venecia. Su obra más conocida es La ciudad de las damas (1405). Es considerada la precursora del feminismo occidental y se sitúa en el inicio de la llamada querella de las mujeres, un debate literario surgido en torno a la situación de las ...

  5. 7 de may. de 2024 · The daughter of a court intellectual, Christine de Pizan dwelled within the cultural heart of late-medieval Paris. In the face of personal tragedy, she learned the tools of the book trade, writing more than forty works that included poetry, historical and political treatises, and defenses of women.

  6. 20 de may. de 2024 · This site, The Monstrous Regiment of Women, is a post-retirement project that allows me to continue to read and write about women, women's history, and women writers. Tomb effigy of Alice Chaucer, duchess of Suffolk. (parish church of St Mary, Ewelme, Oxfordshire) Now here's an admission. I taught an upper-division course in Chaucer for decades ...

  7. 22 de may. de 2024 · Earenfight includes a fascinating close reading of Christine de Pizans allegorical Treasury of the City of Ladies (1404 or 1405), which portrays queens as ‘more than just an object in a marriage exchange’ (p. 194).