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2 de jul. de 2024 · El artículo Dialéctica y aprendizaje en Theodor W. Adorno y Lev S. Vygotsky analiza la relación entre dialéctica y aprendizaje en Adorno y Vygotsky, desde el despliegue de las categorías dialécticas (proceso, totalidad, mediación, campos de fuerza, contradictorio, praxis) que se articulan en ambos representantes de la tradición de pensamiento marxista, en orden a demostrar su ...
Hace 5 días · THEODOR ADORNO (September 11, 1903 – August 6, 1969) German philosopher, sociologist, and composer. Major Accomplishments: Wrote large bodies of work on philosophy, aesthetics, and human suffering. Wrote the highly influential Minima Moralia (1951) and Negative Dialectics (1967).
Hace 1 día · Finally, “late style”—a concept associated with Theodor W. Adorno and Edward W. Said—has become an influential way of characterizing works of artistic maturity written as the author approaches old age and death (though it is certainly not limited to biological maturity).
Hace 6 días · Theodor W. Adorno (* 11. September 1903 in Frankfurt am Main; † 6. August 1969 in Visp, Schweiz; eigentlich Theodor Ludwig Wiesengrund) war ein deutscher Philosoph, Soziologe, Musikphilosoph, Komponist und Pädagoge. Er zählt mit Max Horkheimer zu den Hauptvertretern der als Kritische Theorie bezeichneten Denkrichtung, die auch ...
Hace 4 días · Metaphysical experience is one of the most obscure concepts in Adorno's Negative Dialectics. The obscurity stems partly from the way in which metaphysical experience is antinomic. To describe the antinomic character of metaphysical experience, Adorno situates it in relation to Kant's first Critique .
Hace 2 días · Theodor Adorno's The Culture Industry: Selected Essays on Mass Culture is the best collection of his essays on the emergence and effects of mass culture and homogenization on human consciousness. In this work, Adorno argues that the creation of a “culture industry” that turns cultural creations (especially art, but it can also be said of scientific research) into commodities for sale to ...
Hace 1 día · Pasolini conceived of two broad categories of popular music: folk music, which he understood to represent pre-capitalistic, pre-industrial cultures; and contemporary, radio-ready musical genres like pop and jazz, which he tied to bourgeois culture. I show how these two categories, like so many of Pasolini’s categorical distinctions, were ...
