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4 de jun. de 2024 · 4′33″, musical composition by John Cage created in 1952 and first performed on August 29 of that year. It quickly became one of the most controversial musical works of the 20th century because it consisted of silence or, more precisely, ambient sound—what Cage called “the absence of intended.
- Gramophone
homage to “4′33″” In 4′33″ …March 2011 the music magazine...
- John Cage
John Cage (born September 5, 1912, Los Angeles, California,...
- Gramophone
Excerpt about 4:33 from Copland's book Cage was careful to explain, the “music” in his 4:33 was not silence, but the ambient sounds in a particular room at a particular time. “Music,” he claimed, “is whatever musicians say it is".
6 de jun. de 2024 · 211 views 11 months ago. - John Cage: 4'33 (live recording, concert 1st of March 2023) - chris ingres; violin/Frederike Möller; piano - video created by chris ingres & Linus Salgado ...more.
- 5 min
- 211
- chris ingres
1 de jun. de 2024 · Gr 1-5–Readers watch an amazing pianist named David Tudor walk into a barn—a very charming, Picasso-like barn in Raschka’s elegantly raucous illustrations—and explore what it means to do nothing for four minutes and 33 seconds with an inaugural performance of 4’33” by John Cage.
24 de may. de 2024 · John Cage (born September 5, 1912, Los Angeles, California, U.S.—died August 12, 1992, New York, New York) was an American avant-garde composer whose inventive compositions and unorthodox ideas profoundly influenced mid-20th-century music.
- The Editors of Encyclopaedia Britannica
20 de may. de 2024 · The video delves into the concept of silence in music through John Cage's piece 4'33'', which challenges traditional notions of composition by focusing on absence of sound. Cage's inspiration for the piece stemmed from a visit to an anechoic chamber, where he heard his internal bodily sounds.
3 de jun. de 2024 · Abstract. This article introduces Visibilis 433, an audiovisual installation piece inspired by and conceived as an homage to John Cage’s legendary 4′33″. The piece utilizes practically inaudible components of the ambient sound in the gallery to present an audible artificial soundscape and an accompanying virtual landscape in real time, aiming to reinterpret Cage’s original intentions ...
