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13 de may. de 2024 · Lorenzo de Médici, el gobernante que cambió el arte del Renacimiento. Sin ser rey, Lorenzo de Médici hizo de Florencia la corte más brillante de Europa en el siglo XV gracias a su mecenazgo, cambiando la historia del arte.
30 de abr. de 2024 · Lorenzo di Piero de’ Medici, duca di Urbino was the ruler of Florence from 1513 to 1519, to whom Niccolò Machiavelli addressed his treatise The Prince, counselling him to accomplish the unity of Italy by arming the whole nation and expelling its foreign invaders. Lorenzo’s father, Piero, son of.
- The Editors of Encyclopaedia Britannica
Hace 6 horas · Laurentian Library. Mon-Sat 9:30-13:30. €3. San Lorenzo is more than just a church – it‘s a living testament to the history and artistic brilliance of the Renaissance. Within its walls, one can trace the evolution of architecture from the early innovations of Brunelleschi to the mannerist complexity of Michelangelo.
Hace 6 días · During the 15th century, Florence was in ‘a state of permanent and irreversible crisis’ (p. 63) that the Medici exploited by governing through ‘an informal configuration of power’ (p. 62), which Lorenzo hoped to replace with a new constitution with himself as prince or gonfaloniere a vita.
Hace 4 días · Brother of Cardinal Giovanni de' Medici, third son of Lorenzo the Magnificent. Lorenzo II de' Medici, Duke of Urbino: 17 March 1516 4 May 1519 Nephew of Giuliano de' Medici, Duke of Nemours, son of Piero the Unfortunate. Father of Catherine de' Medici, Queen consort of France. Cardinal Giulio de' Medici: 4 May 1519 19 November 1523
8 de may. de 2024 · Mucho antes de que los Médici se hicieran con el poder de Florencia, el río Arno ya ostentaba el que se convertiría en el monumento más querido y espléndido de su largo recorrido: el Ponte Vecchio. De hecho, ya en la época romana se construyó, en este enclave, un primer puente alzado sobre pilones de piedra. Sin embargo, las constantes ...
Hace 5 días · Following the notes in the inventory, the bust of Lorenzo the Magnificent recorded in the inventory of 1784 corresponds in the subsequent inventory of 1825 to a portrait of Giuliano de Medici, brother of Lorenzo, placed in the “First Vestibule”: “His gaze is resigned, his hair is worn long, with a small lock on the front; his neck is bare; he is dressed according to the custom of the ...
