Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. 27 de may. de 2024 · Limited restock; 6LP box with black cover. Excerpt from liner notes by Sebastian Claren: "When Morton Feldman wrote his second string quartet -- or String Quartet II, as he titled it in the score -- in 1983, he found himself at the height of his career: prior to this, his long form compositions, of which the majority lasted around one and a half hours, had not isolated him or let him disappear ...

  2. 13 de may. de 2024 · This website uses cookies We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.

  3. Further accompanied with quasi-programmatic poetic ruminations by the composer-percussionist Yasukazu Amemiya. The wild west of mainstream classical publishing. But don’t let this turn you away! The music is brilliant. Originally, I thought this it out due to “King Of Denmark” – Feldman’s indeterminate-era thingy.

  4. 24 de may. de 2024 · Morton Feldman Find "Projection 1" and other works by Morton Feldman in The Graph Music of Morton Feldman ( ML 410.F2957 C55 2016 ). FELDMAN, M.: Patterns in a Chromatic Field (Deforce, Y. Oya)

  5. 8 de may. de 2024 · Morton Feldman Flute works include: Durations I for violin, alto flute, cello and piano (1960); and Insts III for flute, oboe, and percussion (1977). Published by Peters .

  6. Hace 5 días · This is a short list of composers who are or have become public domain in Europe, because they died 70 years or longer ago. Obviously we only mention composers that died after 1900. All composers that died earlier than 1953 are in the public domain anyway. 1971: Guiseppe Verdi 1972:Filippo Marchetti, Karl Piutti 1973: Hugo Wolff

  7. 10 de may. de 2024 · Collected Writings of Morton Feldman, hrsg. , „To- ward a Theory of Chord Structure for the Music of Charles Ives", in: Journal of Music Theory37/1 (1993), S. Das Hier-und-Jetzt der Auffüh- rung wird von Young nicht mehr als vorübergehende Epiphanie begriffen, son- dern endlos ausgedehnt.