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Hace 1 día · History Early years: 1905–1946 Frank Damrosch, founder of the Institute of Musical Art, commonly referred to as the "Damrosch School" . In 1905, the Institute of Musical Art (IMA), Juilliard's predecessor institution, was founded by Frank Damrosch, a German-American conductor and godson of Franz Liszt, on the premise that the United States did not have a premier music school and too many ...
16 de may. de 2024 · Juilliard is led by Damian Woetzel, seventh president of the school, who has prioritized affordability and access to the highest level of artistic education while championing Juilliard’s tradition of excellence.
1 de may. de 2024 · The ceremony will be led by Juilliard’s president, Damian Woetzel. Speakers will include the chair of Juilliard’s board of trustees, Vincent Mai, and vice chair Julie Choi (BM ’85, MM ’86, piano), along with members of the school’s leadership. The program will also be livestreamed at juilliard.edu.
22 de may. de 2024 · Signage for the Juilliard School is seen in New York, June 10, 2021. The school’s chairman and biggest benefactor, Bruce Kovner, had wanted its president, Damian Woetzel, to leave after a negative evaluation — he marshaled support and stayed.
9 de may. de 2024 · Lead Digital Sponsor: Bloomberg Philanthropies. Juilliard LIVE was launched in 2021 under the leadership of President Damian Woetzel, dramatically expanding access for audiences around the world to Juilliard performances through livestreams and on-demand video.
3 de may. de 2024 · Damian Woetzel was the first person to give me a commission and therefore the person who pushed me most to trust in myself. Since then I have been surrounded by some of the best choreographers in the world as inspirations, whether it be dancing Balanchine and Robbins works or from getting to be in the room with choreographers like Bill Forysthe, Alexei Ratmansky, Justin Peck, and Christopher ...
12 de may. de 2024 · With NYCB’s Adrian Danchig-Waring, Juilliard’s Alicia Graf Mack and Damian Woetzel’s long-standing relationship with both cultural institutions, Juilliard and NYCB’s presence in Taylor’s legacy — past, present and future — will be engaged in an unprecedented way.
