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  1. 10 de may. de 2024 · A short, CRITICAL History of Philosophy (Chapter 19) Who Was Kierkegaard? Jonathan Leaf. May 10, 2024. ∙ Paid. 6. Share. Friedrich Nietzsche was not the first of Georg Brandes’s discoveries. Nor was he the first existentialist. Most historians of philosophy assign that title to one of Brandes’s fellow Danes, Søren Kierkegaard.

  2. Hace 5 días · Based upon the study of a selection of key plays by Henrik Ibsen and critical texts by Georg Brandes, the course aims to foster an understanding of developments in aesthetical norms and critical thought in the second half of the 19th century and to explore how Brandes and Ibsen positioned themselves in relation to Romanticism ...

  3. Hace 4 días · Brandes saw the performance on opening night and complained about the audience not having read the play beforehand (quoted in Fulsås and Rem Citation 2018, 95). Brahm emphasizes the importance of the Reclam booklet for the play’s reception in a review published in Neue Freie Presse on 10 May 1904.

  4. Hace 3 días · The first academic to draw attention to Kierkegaard was fellow Dane Georg Brandes, who published in German as well as Danish. Brandes gave the first formal lectures on Kierkegaard in Copenhagen and helped bring him to the attention of the European intellectual community. [203]

  5. Hace 5 días · The Scandinavian Modern Breakthrough, with authors such as Strindberg and Ibsen departed from the motto of the Danish literary critic Georg Brandes who in the 1870s urged writers to leave behind romanticism and depict the social problems in the world around them.

  6. Hace 6 días · Brand should of course have sent Agnes and the sick child away early. Many react emotionally to Ibsen when he lets them stay against the doctor’s advice. Georg Brandes (1842 – 1927) criticised him for this, in literary terms, in a review in the national newspaper Dagbladet, soon after the play was published in 1866.

  7. 30 de abr. de 2024 · Jacobsen’s novella Mogens (1872; Eng. trans. in Mogens and Other Stories), whose protagonist’s name gives the book its title, is considered the first Naturalist writing in Danish literature and was greatly admired by Brandes, who hailed Jacobsen as one of “the men of the modern breakthrough.”