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23 de may. de 2024 · Starting in the 1990s, a number of players from largely straight-ahead or post-bop backgrounds emerged as a result of the rise of neo-traditionalist jazz, including pianists Jason Moran and Vijay Iyer, guitarist Kurt Rosenwinkel, vibraphonist Stefon Harris, trumpeters Roy Hargrove and Terence Blanchard, saxophonists Chris Potter and Joshua Redman, clarinetist Ken Peplowski and bassist ...
Hace 3 días · Mingus Ah Um. Mingus Ah Um is a studio album by American jazz musician Charles Mingus which was released in October 1959 by Columbia Records. [1] [2] It was his first album recorded for Columbia. The cover features a painting by S. Neil Fujita. [5] The title is a corruption of an imaginary Latin declension.
21 de may. de 2024 · The Sonny Criss Orchestra. 3.94 1,279 18. 1968. Progressive Big Band Post-Bop. Avant-Garde Jazz Modal Jazz. energetic melodic instrumental improvisation acoustic mysterious complex hypnotic.
6 de may. de 2024 · 5: Cal Tjader. Despite his Swedish ancestry, St. Louis-born Tjader – a former drummer for Dave Brubeck and vibraphonist for George Shearing – became an unlikely doyen of New York’s Latin ...
21 de may. de 2024 · It steers the reader into the radical directions of the 1970s when free jazz, fusion, post-bop, and jazz-funk opened up a growing number of Japanese jazz artists to a new global audience before consolidating in the mid to late 1980s with a musical scene that laid the path for the contemporary jazz generation to follow.
8 de may. de 2024 · The Solo Concerts. The most appropriate place to begin our journey is with his famed solo recitals, beginning with a selection from 1975’s The Köln Concert, one of Keith Jarrett’s best pieces ...
Hace 2 días · Letizia Gambi Blue Monday (ArtistShare) Featured on Spring 2016 JAZZIZ On Disc (Disc Two) An intriguing blend of styles and cultures, Letizia Gambi's sophomore recording, Blue Monday (ArtistShare), intertwines the singer's Italian roots with modern and traditional jazz. For example, the album's opening track is a mash-up of the Harlem-jazz standard "Sweet Georgia Brown," Jackie McClean's post-bop
