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  1. 30 de abr. de 2024 · Point of Departure is a studio album by American jazz pianist and composer Andrew Hill, recorded in 1964 and released in 1965 on the Blue Note label. It features Hill in a sextet with alto saxophonist Eric Dolphy, tenor saxophonist Joe Henderson, trumpeter Kenny Dorham, bassist Richard Davis and drummer Tony Williams.

  2. Hace 4 días · Andrew Hill: Point of Departure: 3/21/64 BLP 4168 Freddie Roach: Brown Sugar: 3/18/64, 3/19/64 BLP 4169 Lee Morgan: Search for the New Land: 2/15/64 BLP 4170 Art Blakey and the Jazz Messengers: Free for All: 2/10/64 BLP 4171 George Braith: Extension: 3/27/64 BLP 4172 Freddie Hubbard: Breaking Point: 5/7/64 BLP 4173 Wayne Shorter ...

  3. 13 de may. de 2024 · Shop "Andrew Hill - Point Of Departure - Vinyl LP - 2018 - EU - Original" at the HHV Online Shop – large selection fast delivery worldwide shipping

  4. 1 de may. de 2024 · Accessible, but still has that edge that makes Hill's compositions and playing so unique and fresh-sounding, even today. The music isn't as restless as some of his later works, but hits the spot. This is about as good as it gets if you're looking for something maybe a bit more adventurous than say Black Fire, but not quite as out there as Point of Departure.

  5. 5 de may. de 2024 · Andrew Hill Point Of Departure remastered Blue Note 75 180gm vinyl LP + download. Condition: New. Price: AU $49.99. 4 payments of AU $12.50 with Afterpay. Add to Watchlist. Postage: AU $30.00AU Interparcel International Standard. See details. International delivery of items may be subject to customs processing and additional charges.

  6. 8 de may. de 2024 · Title: Point Of Departure [U. Artist: Andrew Hill. The latest remastering was done by Kevin Gray, an engineer who has also been a master of US Blue Note's analog reissue series such as "Tone Poet" and "Classic Vinyl.".

  7. 17 de may. de 2024 · Andrew Hill / Point Of Departure - 日々JAZZ★. 全5曲、アンドリュー・ヒルの作品。 それら全てを完璧に表現するため、リチャード・デイビスのベース、トニー・ウィリアムスのドラム、そしてフロントを3管にしてヒルは厚みを出したかったのだろう。 しかし、3管の中にエリック・ドルフィーを入れたことで、他の2管の存在が薄くなってしまった。 これは、アルバム全体から受ける印象。 ケニー・ドーハムやジョー・ヘンダーソンの印象が薄いのではなく、聴き終わって残るのはドルフィー独自の憂鬱な響き。 それを承知でヒルはメンバーを配置したはず。 ドルフィーのディスコグラフィーを見ると、ヒルとのスタジオセッションはこのアルバムだけ。