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10 de may. de 2024 · Paintings by Angelica Kauffmann. From Wikimedia Commons, the free media repository. Angelica Kauffmann (1741–1807) Alternative names. Angelika Kauffmann, Maria Anna Angelika Katharina Kauffmann, Angelika Katharina Kauffmann. Description. -Swiss painter, printmaker and artist. Date of birth/death. 30 October 1741.
- 30 October 1741
- Chur
- Swiss painter, printmaker and artist
16 de may. de 2024 · Angelica Kauffman was a Swiss Neoclassical painter whose legacy includes a diverse range of paintings that span from history to portraiture. This section highlights a few of her significant contributions to art.
Las obras de Angelica Kauffmann se encuentran en la Sala 90 del Museo del Prado, dedicada a la pintura del siglo XVIII. Estas obras forman parte de la colección permanente del museo y son una muestra del talento y la genialidad de esta destacada artista.
13 de may. de 2024 · The best known of these, the Royal Academy of Arts, founded in 1768, did include two women among its founder members: Angelica Kauffmann (1741–1807), a Swiss artist who worked in London, and Mary Moser (1744–1819). Vase of Flowers. Mary Moser (1744–1819) The Fitzwilliam Museum.
22 de may. de 2024 · Artists' Self-Portraits. In an interplay between past and present, different voices give life to the faces of some of the greatest Masters, who have enriched our collections with their self-portraits over the centuries
Hace 19 horas · Angelica Kauffman. Royal Academy of Arts, London, 7 June 2024. As part of the Royal Academy’s retrospective exhibition of the work of Angelica Kauffman (1741–1807), this one-day symposium will provide an in-depth look at the work of one of the RA’s founding members. Known for her society portraits and pioneering history paintings ...
Hace 3 días · Perry singles out for discussion two 'beautiful' self-portraits by Angelica Kauffmann (c. 1770-75) and Ann Mary Newton (c. 1863) as 'instances where particular women's lived (and in this case painted) experience transcended the institutional discourse of the feminine' (p. 125).
