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  1. Hace 6 días · Henry Ossawa Tanner (born June 21, 1859, Pittsburgh, Pa., U.S.—died May 25, 1937, Paris, France) was an American painter who gained international acclaim for his depiction of landscapes and biblical themes. After a childhood spent largely in Philadelphia, Tanner began an art career in earnest in 1876, painting harbour scenes ...

    • The Editors of Encyclopaedia Britannica
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  2. 20 de may. de 2024 · The Annunciation is an 1898 painting by the African-American painter Henry Ossawa Tanner. It depicts the biblical scene of the Annunciation, where the archangel Gabriel visits Mary to announce that she will give birth to Jesus. The painting is held by the Philadelphia Museum of Art.

  3. 9 de may. de 2024 · Yet in spite of his “marked originality,” neither Douglas nor the new sculptors at work have, Johnson says, matched the accomplishments of Henry Ossawa Tanner and the Negro artists of the previous generation. Tanner, born before the Civil War, was still alive during the Harlem Renaissance.

  4. 20 de may. de 2024 · The Montgomery Museum of Fine Arts (MMFA) has purchased Street in Tangier, a painting by Henry Ossawa Tanner, who is considered one of the most accomplished American artists of the late-19th and early-20th centuries, and the first African American artist to attain an international reputation.

  5. 5 de may. de 2024 · Detail. Sand Dunes at Sunset, Atlantic City is a masterpiece of Black art and history. It was painted by Henry Ossawa Tanner during a time of incredible hardship for the Black community in the United States. However, instead of focusing on the bigotry of American society in the 1880s, Tanner focused on the charm of natural beauty.

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  6. Hace 5 días · The early stirrings of the African American art movement in Harlem followed a 1919 exhibit on the work of Henry Ossawa Tanner at a midtown gallery in New York, and an exhibit of African American artists two years later at the Harlem Branch of the New York Public Library.

  7. Hace 3 días · In 1893 artist Henry Ossawa Tanner painted The Banjo Player. Displayed at the Cotton States Exposition in 1895, the same event at which Booker T. Washington delivered his Atlanta Compromise speech, it transforms the stereotype of the banjo-playing Sambo into an image of dignity, antecedents, and heritage.