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  1. Hace 5 días · A painter and sculptor, his work is associated with the Dada and Surrealist movements. He created his first paintings, hand prints and collages in 1919. Working in a variety of media, his work was inspired by the psychology and art of the mentally ill.

  2. 15 de may. de 2024 · Collage 47 x 63 cm. 1932. Max ERNST Facteur Cheval (fac-similé) L'artiste. Max ERNST 1891-1976. Max Ernst est né en 1891 à Brühl (Allemagne). Peintre et sculpteur, son œuvre est rattachée au mouvement Dada et surréaliste. Il crée ses premières peintures, impressions à la main et collages en 1919.

  3. 1 de may. de 2024 · Ernst was such a versatile and prolific artist that any collection can only show a small sample of the available work which here ranges from Dadaist collages and Surrealist frottages, to pages from his three collage novels plus later works like Wunderhorn which featured

  4. 2 de may. de 2024 · The word collage was first used to refer to works by Dada and Surrealist artists, especially Max Ernst. His collages were composed of old engravings and prints that had been skillfully cut and pasted together to form disquietingly irrational images.

    • The Editors of Encyclopaedia Britannica
  5. 27 de abr. de 2024 · Max Ernst utilizzò il collage per combinare immagini provenienti da diverse fonti, spesso in modo non convenzionale, per creare nuovi significati e connessioni simboliche. Questa tecnica gli permise di esplorare l’associazione casuale di immagini e concetti, creando opere d’arte che sfidavano la logica e l’ordine convenzionali.

  6. 1 de may. de 2024 · Ernst was such a versatile and prolific artist that any collection can only show a small sample of the available work which here ranges from Dadaist collages and Surrealist frottages, to pages from his three collage novels plus later works like Wunderhorn which featured illustrations based on the writings of Lewis Carroll.

  7. 28 de abr. de 2024 · His use of collage, which he developed further in works such as “Two Children Are Threatened by a Nightingale” (1924), broke down the boundaries between reality and imagination. Ernsts legacy is not just in the images he created but in his approach to the creative process itself.