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Michael R. "Mike" Ratledge (nacido en abril de 1943) es un músico inglés, conocido sobre todo por su trabajo como teclista en el grupo Soft Machine. 1 . Biografía y carrera. Mike Ratledge nació en Maidstone, Kent. De pequeño, estudió música clásica, la única que sonaba en casa de sus padres.
Opel (álbum) Opel es un álbum recopilatorio de 1988 consistente de versiones nunca antes lanzadas y versiones alternativas de canciones ya publicadas, grabadas por el exlíder de Pink Floyd Syd Barrett entre 1968 y 1970. Cuando Barrett solo lanzó dos álbumes en 1970, The Madcap Laughs y Barrett, la existencia de material no lanzado era ...
Michael Roland Ratledge (born 6 May 1943) is a British musician. A part of the Canterbury scene, he was a founding member of Soft Machine. He was the last founding member to leave the group, doing so in 1976. [1] Biography and career. Ratledge was born in Maidstone, Kent, the son of a Canterbury secondary modern school headmaster.
YearAlbumArtist2013Riddles of the Sphinx (soundtrack ...Mike Ratledge2010Some Shufflin'Karl Jenkins & Mike Ratledge2010MovementKarl Jenkins & Mike Ratledge1995Karl JenkinsSyd Barrett - Golden Hair (Remake Take 6) 1:45. View credits, reviews, tracks and shop for the 1988 Vinyl release of "Opel" on Discogs.
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19 de may. de 1997 · ‘Clowns and Jugglers’ meanwhile would resurface on ‘The Madcap Laughs’ under a new title, ‘Octopus’, but this earlier take features Syd’s first vocal and guitar which was later overdubbed by the Soft Machine – mike Ratledge, Hugh Hopper and Robert Wyatt, something they also did on two tracks which did appear on ...
9 de jul. de 2020 · Obviously, and unfortunately, NOT a recent interview, and NOT by me... But I thought it would be fun to make a little film out of Mike's interview for WMSN r...
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- Aymeric Leroy
8 de sept. de 2023 · Plunging into Soft Machine has never been for the faint-hearted. William Burroughs' 1961 novel from which Daevid Allen, Kevin Ayers, Robert Wyatt and Mike Ratledge took their collective name in 1966, was famed for its ‘cut-up technique’ whereby sentences and paragraphs were shredded and then reassembled to produce startling juxtapositions and unsettling literary images.
