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  1. en.wikipedia.org › wiki › Jon_PoveyJon Povey - Wikipedia

    Jon Povey (20 August 1942 – 9 May 2023) was an English drummer and keyboardist. Career. Born in London, he grew up in Dartford, Kent, and in the early 1960s, Povey played drums in Bern Elliott and the Bluecaps, who had changed their name to Bern Elliott and the Fenmen by 1961.

  2. Pretty Things were an English rock band formed in September 1963 in Sidcup, Kent, taking their name from Bo Diddley 's 1955 song "Pretty Thing", and active in their first incarnation until 1971. They released five studio albums, including the debut The Pretty Things ( UK Albums Chart #6) and S. F. Sorrow (being the first rock opera ), four EPs ...

  3. 10 de may. de 2023 · 2.9K views 9 months ago. Jon Povey died May 9th 2023. This video gives tribute to a man who joined The Pretty Things in 1966 and contributed drums, keyboards, sitar, as well as many lead vocals...

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  4. 10 de feb. de 2024 · The arrival of bassist ‘Wally’ Waller and keyboard player Jon Povey in January ’67 signalled the second phase of The Pretty Things’ career. Both had spent the preceding years in the rather more conventional outfit, Bern Elliott & The Fenmen. But the pair added a new dimension to the songs that eventually fetched up on third ...

  5. 22 de may. de 2023 · El 9 de mayo, Jon Povey, el teclista veterano de The Pretty Things, fallecía en España, donde residía desde hacía muchos años, tras una larga batalla contra el cáncer. Tenía 80 años de edad.

  6. The Pretty Things en 2008. The Pretty Things fue una banda de rock inglesa formada en 1963 en la ciudad de Londres. Tomaron su nombre de la canción "Pretty Thing" de Bo Diddley, y en sus inicios eran conocidos por la prensa británica como "los primos más feos de Los Rolling Stones ". 1 2 Su periodo más exitoso ocurrió a mediados de la ...

  7. 16 de abr. de 2020 · May and Taylor reunited with bassist Wally Waller and keyboardist Jon Povey for 1980’s Cross Talk album, but otherwise the Pretty Things spent much of the 1980s and ‘90s out of the studio and out of the record-buying public’s consciousness.