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The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics (German: Die Permanenz der Kunst: Wider eine bestimmte marxistische Ästhetik) is a 1977 book on aesthetics by the philosopher Herbert Marcuse, in which the author provides an account of modern art's political implications and relationship with society at large.
- Herbert Marcuse
- 1977
9 de sept. de 2015 · The aesthetic dimension : toward a critique of Marxist aesthetics. by. Marcuse, Herbert, 1898-1979. Publication date. 1978. Topics. Marx, Karl, 1818-1883 -- Aesthetics, Aesthetics, German -- 19th century, Marx, Karl, 1818-1883, Aesthetics. Publisher. Boston : Beacon Press. Collection. internetarchivebooks; printdisabled. Contributor.
Reader Elliott Green (German major at Princeton, MPhil student in Development Studies at the London School of Economics) wrote on Amazon: "Herbert Marcuse, original member of the so-called 'Frankfurt School', here presents a critique of Marxist aesthetics in one of his last books.
The Aesthetic Dimension. Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society.
I feel the need to bring the idea of audience into the aesthetic dimension. I can see what you are saying about a Rodin sculpture or a play by Shakespeare not being changed through time; it still is that work, but it seems to me that our relationship to art does change.
Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art...
Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art...