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Jon Mooneyham has been involved in the OKC/Norman music scene since 1979 as a radio host, club DJ, video show host/producer, writer, performer, show booker, and record collector.
Everything All at Once Forever is an hour-long program hosted by the legendary Jon Mooneyham, which, as the show’s name implies, draws upon the incredible breadth and history of recorded sound available in the current Age of the Internet.
7 de ene. de 2023 · Jon Mooneyham, host of Everything All At Once Forever, shares some of his favorite albums of 2022 (in alphabetical order). kosu.org. A baker’s dozen of 2022 favorites from Mooneyham. Mooneyham's year-end list includes selections by Wet Leg, Spiritualized, Horsegirl and more.
- Anika: Changes
- The Armed: Ultrapop
- Beautify Junkyards: Cosmorama
- Delvon Lamarr Organ Trio: I Told You So
- Dry Cleaning: New Long Leg
- Gong Gong Gong: Phantom Rhythm Remixed
- Orquestra Akokán: 16 Rayos
- Nolan Potter: Music Is Dead
- Snapped Ankles: Forest of Your Problems
- Pauline Anna Strom: Angel Tears in Sunlight
Tracing Anika from her eponymous debut album (mostly of cover versions) through work with her Mexico City-based band Exploded View to now reveals a slow and steady refinement of musical ideas. Changes still maintains a postpunk aesthetic, but sounds far glossier and more general audience-accessible than before. In exchange, the subject matter of th...
Detroit’s semi-anonymous The Armed fuse together a confounding collision of metal and punk styles with remarkably compressed and harsh industrial production, topped with a layer of (gasp!) out-and-out pop vocal styles and melodies. Combined with some very attractive packaging, they’ve laid a unique trap for unsuspecting folks (like me) to happily t...
Emanating from Lisbon, Portugal, Beautify Junkyards have steadily evolved their approach, combining aspects of early ‘70s progressive acoustic folk with vintage synths and modern sampling. This fourth album sums up that idea gorgeously, with hummable melodies and alluring vocals. Along with a subsequent single release—a cover of The Incredible Stri...
A callback to the halcyon days of organ jazz—think Jimmy Smith, Big John Patton, Richard “Groove” Holmes, even Booker T and the MG’s—DLO3 drags that sound to a nearby alley and roughs it up, with a looser, dirtier approach incorporating hiphop-influenced drumming and contemporary guitar techniques. Overlaid with a palpable vibe of improvisation (in...
One of a horde of newer English bands (including Squid, Black Country New Roads, The Cool Greenhouse, and Wet Leg) drawing influence from Mark E. Smith’s more-spoken-than-sung vocals and abstract lyric constructs, Dry Cleaning’s songs are invariably anchored by Florence Shaw’s coolly distanced recitations of day-to-day minutiae. This leaves the emo...
I missed the boat when this Chinese duo released Phantom Rhythms a couple of years back, though their pared-down, austerely reductivist guitar/bass/vocals songs hit me right in the sweet spot when I finally heard them. And it’s rare to champion a remix set, but the various Beijing-based producers on Phantom Rhythms Remixed add drums and other eleme...
If you’d told me at the first of the year that two of my favorite records for 2021 would be by a nominally “new age” artist (see Pauline Anna Strom’s album) and a huge Cuba-via-NYC mambo ensemble, I’d’ve laughed ’til I threw up in my facemask—yet, here we are… On their second album, Orquestra Akokán continue mining mambo (and other Latin rhythms) w...
Created while in pandemic isolation, this Austinite’s second album for Castle Face is an impressive one-man-band effort akin to similar early ‘70s works by Todd Rundgren and Emmitt Rhodes. Stylistic modes range from classic singer/songwriter pop numbers to weird proggy workouts, and Potter has the technical chops to pull all of it off effortlessly ...
On their third studio record, these anonymous costumed oddballs push their fused primitive analog synth/tree log inventions (no, really) even closer to the dancefloor than before. There’s a conceptual storyline that threads through the songs, but it’s a distant second fiddle to the bubbling grooves herein. High on the list of oddball dance records ...
“New age” music is far from my bailiwick—the few recordings I’ve given a try generally seem to be chewing more than was bitten off, so this is happily the exception. After a celebrated series of notable ambient albums in the ‘80s, Strom sold off her synths and leaned into her work as a healer for decades. But she was coaxed back into making music b...
Everything All at Once Forever with Jon Mooneyham: Saturdays at 9pm Central Time, locally on The Spy on KOSU (91.7/OKC, 107.5/Tulsa) and intergalactically on thespyfm.com and kosu.org! Everything finds last year’s rotten eggs at 9p: The Chap, Julia Holter, Ut, Matthew Herbert, The Jesus and Mary Chain, Ill Considered, Moor Mother, The Devil ...
By Jon Mooneyham. | KOSU-FM (Stillwater, Oklahoma) Jon Mooneyham, host of Everything All At Once Forever, shares some of his favorite albums of 2022 (in alphabetical order).
Everything All at Once Forever is an hourlong program hosted by the legendary Jon Mooneyham, featuring a different conceptual theme each week, and which, as the show’s name implies, draws upon the incredible breadth and history of recorded sound available in the current Age of the Internet.
