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  1. Drama. Setting. Mythological ancient Greece. Amphitryon 38 is a play written in 1929 by the French dramatist Jean Giraudoux, the number in the title being Giraudoux's whimsical approximation of how many times the story had been told on stage previously.

    • Jean Giraudoux
    • 1938
  2. 11 de nov. de 2022 · Amphitryon 38 de Jean Giraudoux - YouTube. CAVOK. 217 subscribers. Subscribed. 143. 8.1K views 1 year ago. Amphitryon 38 - Pièce de théâtre de Jean Giraudoux avec Jean Piat, André...

    • 124 min
    • 8K
    • CAVOK
  3. Hace 5 días · Overview. Amphitryon 38. Quick Reference. A: Jean Giraudoux Pf: 1929, Paris Pb: 1929 Tr: 1938 G: Com. in prologue and 3 acts; French prose S: Amphitryon's palace, Thebes, mythical past C: 5m, 4fJupiter plots with his son Mercury how he may seduce Alcmena, who is devoted to her husband Amphitryon.

  4. Amphitryon 38 est une pièce de théâtre en trois actes de Jean Giraudoux, écrite en 1929 et représentée pour la première fois le 8 novembre 1929 à la Comédie des Champs-Élysées dans une mise en scène de Louis Jouvet [1]. Giraudoux prétendait fournir la 38 e et dernière version du mythe d'Amphitryon, d'où le titre de la ...

    • Jean Giraudoux
    • Comédie
    • Éditions Grasset
    • Paris
  5. performingartsarchive.com › Amphitryon-38_1938Amphitryon-38_1938

    Broadway was not surprised when Amphitryon 38 rode into. Manhattan to find first-nighters willing to pay as high as $100 for a pair of seats. What first-nighters found they had paid for was a comedy written with a stylish stylus, a mort of Jovian musing, some heavy-handed Olympian. plotting—and the Lunts.

    • Amphitryon 381
    • Amphitryon 382
    • Amphitryon 383
    • Amphitryon 384
    • Amphitryon 385
  6. 29 de jun. de 2022 · amphitryon 38. by. jean giraudoux. Publication date. 1929. Collection. printdisabled; internetarchivebooks; inlibrary. Contributor. Internet Archive.

  7. Amphitryon 38 by Lewis W. Leadbeater* When Plautus, the great Roman playwright, introduced his Amphitryon, he presented it as a tragicomedy, primarily because, as he says, his drama dealt to a great degree with the intrusion of Jupiter and Mercury, the divine machinery, into the affairs of men and hence qualified the play for its tragic ...