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  1. La música de Varèse se caracteriza por enfatizar tanto timbre como ritmo, y en ella se acuñó el término de "sonido organizado" para hacer referencia a su propia estética musical. [2] Su concepción de la música refleja una visión del "sonido como materia viva" y del "espacio musical abierto en lugar de limitado". [ 3 ]

  2. Musical influences. In his formative years, Varèse was greatly impressed by Medieval and Renaissance music – in his career, he founded and conducted several choirs devoted to this repertoire – as well as the music of Alexander Scriabin, Erik Satie, Claude Debussy, Hector Berlioz and Richard Strauss.

  3. 12 de abr. de 2024 · Edgard Varèse was a French-born American composer and innovator in 20th-century techniques of sound production. Varèse spent his boyhood in Paris, Burgundy, and Turin, Italy. After composing without formal instruction as a youth, he later studied under Vincent d’Indy, Albert Roussel, and Charles

    • The Editors of Encyclopaedia Britannica
  4. Edgar Varèse * Nocturnal. 10:39. Explore the tracklist, credits, statistics, and more for Music Of Edgar Varèse by Edgar Varèse. Compare versions and buy on Discogs.

    • (211)
    • Electronic, Classical
    • 178
    • Musique Concrète, Modern
  5. Edgard Varèse. Composer Varèse is widely regarded as a pioneer of electronic music, who changed the face of 20th century music in revolutionary ways. Read Full Biography. STREAM OR BUY: Active. 1910s - 1960s. Musical Period. 20th Century, Modern. Born. December 22, 1883 in Paris, France. Died. November 6, 1965 in New York, NY. Genre.

  6. Introducción. En la historia de la música, existen figuras que se destacan por su capacidad para romper los moldes establecidos y abrir nuevos caminos. Uno de estos innovadores fue Edgard Varèse, un compositor francés-americano que revolucionó el panorama musical del siglo XX.

  7. 6 de may. de 2017 · Sounds and the city: how Manhattan made the music of Edgard Varèse. With sirens and whistles, Varèse brought the noises of 1920s New York into the concert halls at a time when writers were...